‘壹’ 求一篇英文电影的英文读后感谢谢了，大神帮忙啊
功夫熊猫1 sapatheticidea.Mythoughtshadtodowith2things…theconceptansingJackBlack.rcookiecutter,annoying,cheapandwitlessanimatedfilm(non-pixar)thatwouldjustrelyonfartjokes,burpjokes,(whichisjustaboutanything).,(that’sthenameofthePanda)fart. Yes,hearingtheconceptalone..?Actually…noIwasn’t.It’sactuallynotabadfilmatall. “Themostimportantelement”.wascomedy.Ifafilmlikethisonedoesn’tmakeyoulaugh…thenthereisn’tmuchlefttofallbackon..Ican’(),.…butthendidallwork.. .Thecharacterhastobemenacing,butatthesametimeyoucan’.Imeancomeon…it’sKungFuPanda…youcan’texactlyhaveViolator(fromtheSpawncomics)heirtheaterseats…!Itisafineanddelicatebalance…andthevillaininKungFuPanda,TaiLung,wasPERFECT.Hewascertainlymenacing….. .Imean,it’seasyenoughtoDO…justnotsoeasytodoWELL.However,..Imeancomeon…?Well…theyfoundaway! 功夫熊猫2 .eandfavorablereviews.,youwillbesuccessfuloneday. Themovieisaboutalazy,fatandclumsypandacalledPo..makingnoodlesoup.However,. ..Poiscarefullypreparedtofight.?. Inmyopinion,edientofmakingnoodlesoup.,,hefindsnothingbutblank..layTaiLungforaslongashecan.,'snoodlesoup:nothing...Onceyouholdafirmbelief,youcangetwhatyouwant. Onthewhole,.Itsthemeof“believeinyourself”islovedbytheparents..,. 音乐之声1 WatchingtheDVDof"TheSoundofMusic"wasn'texactlyarevelation--afterall,,andsawitinatheater,lothosemanyyearsago--butitwasadelight. Ihadn'tseenitformanyyears,gitallymasteredDVD. 'wonderful,crystal-. ,whichistoobadforthem.,Isuppose,,,thisfilmisdeeplyenjoyable. (thereisonetuneIjustcan'twarmupto),theperformancesarecharming,,involvinglove,personaldramaandworlddrama.Whatelsedoyouwant? "TheSoundofMusic"isamostlytruestory,oftheVonTrappFamilySingers.AustrianCaptainvonTrapp,,.,thenaninn,inVermont. Mariawroteabook,","whichbecameaGermanfilm,"DieTrappFamilie,"in1956.By1959,,.Themovieversion--,mostagree--wasreleasedin1965. ,Maria(Andrews),who----.(playedbyChristopherPlummer)andhesings"Edelweiss"withhischildren,andbeforetoolonghe'. WatchingtheDVD--again,manyyearsafterthelasttimeI'dseenthefilm--'sgreatcharmandbeautifulvoice,.ong. ,.It'. "TheSoundofMusic",andheldthebox-officerecordforalongtime.Forgoodreason.Itisacompletedelight,andstillhighlyrecommended. 音乐之声2 THESOUNDOFMUSIC(1965).Althoughabitcorny,.Today,toooftenwhatgoesformusicals,seeforexampleEVITA,.. soundsystemtomatch.THESOUNDOFMUSICisoneofthem.Nevertheless,ourfamilyenjoyeditathome.,... Themovieisfilledwithsongs,.(DanielTruhitte),sheendsupgivinghimasinglekiss.Thissendshimintototalrapture.,especiallyabeautifulone,'s..Still,. ,.TheCaptain'sfriendMaxDetweiler(RichardHaydn)."What'sgoingtohappenisgoingtohappen,"headvisestheCaptain."Justmakesureitdoesn'thappentoyou."Althoughthiswarrealityisever-,. ,memorablesongs,andgreatbeauty..
采纳哦
‘贰’ 求一篇用英语对金刚电影的评论
King Kong BY ROGER EBERT / December 13, 2005 It was beauty killed the beast Wee Naomi Watts intervenes to protect her Big Daddy Kong from an ill-socialized dinosaur in "King Kong." There are astonishments to behold in Peter Jackson's new "King Kong," but one sequence, relatively subed, holds the key to the movie's success. Kong has captured Ann Darrow and carried her to his perch high on the mountain. He puts her down, not roughly, and then begins to roar, bare his teeth and pound his chest. Ann, an unemployed vaudeville acrobat, somehow instinctively knows that the gorilla is not threatening her but trying to impress her by behaving as an alpha male -- the King of the Jungle. She doesn't know how Queen Kong would respond, but she does what she can: She goes into her stage routine, doing backflips, dancing like Chaplin, juggling three stones. Her instincts and empathy serve her well. Kong's eyes widen in curiosity, wonder and finally what may pass for delight. From then on, he thinks of himself as the girl's possessor and protector. She is like a tiny beautiful toy that he has been given for his very own, and before long, they are regarding the sunset together, both of them silenced by its majesty. The scene is crucial because it removes the element of creepiness in the gorilla/girl relationship in the two earlier "Kongs" (1933 and 1976), creating a wordless bond that allows her to trust him. When Jack Driscoll climbs the mountain to rescue her, he finds her comfortably nestled in Kong's big palm. Ann and Kong in this movie will be threatened by dinosaurs, man-eating worms, giant bats, loathsome insects, spiders, machineguns and the Army Air Corps, and could fall to their death into chasms on Skull Island or from the Empire State Building. But Ann will be as safe as Kong can make her, and he will protect her even from her own species. The movie more or less faithfully follows the outlines of the original film, but this fundamental adjustment in the relationship between the beauty and the beast gives it heart, a quality the earlier film was lacking. Yes, Kong in 1933 cares for his captive, but she doesn't care so much for him. Kong was always misunderstood, but in the 2005 film, there is someone who knows it. As Kong ascends the skyscraper, Ann screams not because of the gorilla but because of the attacks on the gorilla by a society that assumes he must be destroyed. The movie makes the same kind of shift involving a giant gorilla that Spielberg's "Close Encounters of the Third Kind" (1977) did when he replaced 1950s attacks on alien visitors with a very 1970s attempt to communicate with them (by 2005, Spielberg was back to attacking them, in "War of the Worlds"). "King Kong" is a magnificent entertainment. It is like the flowering of all the possibilities in the original classic film. Computers are used not merely to create special effects, but also to create style and beauty, to find a look for the film that fits its story. And the characters are not cardboard heroes or villains seen in stark outline, but quirky indivials with personalities. Consider the difference between Robert Armstrong (1933) and Jack Black (2005) as Carl Denham, the movie director who lands an unsuspecting crew on Skull Island. A Hollywood stereotype based on C.B. de Mille has been replaced by one who reminds us more of Orson Welles. And in the starring role of Ann Darrow, Naomi Watts expresses a range of emotion that Fay Wray, bless her heart, was never allowed in 1933. Never have damsels been in more distress, but Fay Wray mostly had to scream, while Watts looks into the gorilla's eyes and sees something beautiful there. There was a stir when Jackson informed the home office that his movie would run 187 minutes. The executives had something around 140 minutes in mind, so they could turn over the audience more quickly (despite the greedy 20 minutes of paid commercials audiences now have inflicted upon them). After they saw the movie, their objections were stilled. Yes, the movie is a tad too long, and we could do without a few of the monsters and overturned elevated trains. But it is so well done that we are complaining, really, only about too much of a good thing. This is one of the great modern epics. Jackson, fresh from his "Lord of the Rings" trilogy, wisely doesn't show the gorilla or the other creatures until more than an hour into the movie. In this he follows Spielberg, who fought off procers who wanted the shark in "Jaws" to appear virtually in the opening titles. There is an hour of anticipation, of low ominous music, of subtle rumblings, of uneasy squints into the fog and mutinous grumblings from the crew, before the tramp steamer arrives at Skull Island -- or, more accurately, is thrown against its jagged rocks in the first of many scary action sequences. During that time, we see Depression-era breadlines and soup kitchens, and meet the unemployed heroes of the film: Ann Darrow (Watts), whose vaudeville theater has closed, and who is faced with debasing herself in burlesque; Carl Denham (Black), whose footage for a new movie is so unconvincing that the movie's backers want to sell it off as background footage; Jack Driscoll (Adrien Brody), a playwright whose dreams lie Off-Broadway and who thrusts 15 pages of a first draft screenplay at Denham and tries to disappear. They all find themselves aboard the tramp steamer of Capt. Englehorn (Thomas Kretschmann), who is persuaded to cast off just as Denham's creditors arrive on the docks in police cars. They set course for the South Seas, where Denham believes an uncharted island may hold the secret of a box office blockbuster. On board, Ann and Jack grow close, but not too close, because the movie's real love story is between the girl and the gorilla. Once on Skull Island, the second act of the movie is mostly a series of hair-curling special effects, as overgrown prehistoric creatures endlessly pursue the humans, occasionally killing or eating a supporting character. The bridges and logs over chasms, so important in 1933, are even better used here, especially when an assortment of humans and creatures fall in stages from a great height, resuming their deadly struggle whenever they can grab a convenient vine, rock or tree. Two story lines are intercut: Ann and the ape, and everybody else and the other creatures. The third act returns to Manhattan, which looks uncannily evocative and atmospheric. It isn't precisely realistic, but more of a dreamed city in which key elements swim in and out of view. There's a poetic scene where Kong and the girl find a frozen pond in Central Park, and the gorilla is lost in delight as it slides on the ice. It's in scenes like this that Andy Serkis is most useful as the actor who doesn't so much play Kong as embody him for the f/x team. He adds the body language. Some of the Manhattan effects are not completely convincing (and earlier, on Skull Island, it's strange how the fleeing humans seem to run beneath the pounding feet of the T. rexes without quite occupying the same space). But special effects do not need to be convincing if they are effective, and Jackson trades a little realism for a lot of impact and momentum. The final ascent of the Empire State Building is magnificent, and for once, the gorilla seems the same size in every shot. Although Naomi Watts makes a splendid heroine, there have been complaints that Jack Black and Adrien Brody are not precisely hero material. Nor should they be, in my opinion. They are a director and a writer. They do not require big muscles and square jaws. What they require are strong personalities that can be transformed under stress. Denham the director clings desperately to his camera, no matter what happens to him, and Driscoll the writer beats a strategic retreat before essentially rewriting his personal role in his own mind. Bruce Baxter (Kyle Chandler) is an actor who plays the movie's hero, and now has to decide if he can play his role for real. And Preston (Colin Hanks) is a proction assistant who, as is often the case, would be a hero if anybody would give him a chance. The result is a surprisingly involving and rather beautiful movie -- one that will appeal strongly to the primary action audience, and also cross over to people who have no plans to see "King Kong" but will change their minds the more they hear. I think the film even has a message, and it isn't that beauty killed the beast. It's that we feel threatened by beauty, especially when it overwhelms us, and we pay a terrible price when we try to deny its essential nature and turn it into a proct, or a target. This is one of the year's best films.
‘叁’ 请问大佬有2020年上映的由肖恩·宾主演的占有者高清视频在线观看资源吗
《占有者》网络网盘高清资源免费在线观看
链接:https://pan..com/s/1p5EvoDnrvVaP-UXA9Omn9w
导演:布兰登·柯南伯格
编剧:布兰登·柯南伯格
主演:肖恩·宾、汉娜克·塔波特、詹妮弗·杰森·李、安德丽娅·赖斯伯勒、瑞秋·克劳福德、塔彭丝·米德尔顿、罗西弗·萨瑟兰、盖奇·格雷厄姆·阿布斯诺特、丹尼·沃、克里斯托弗·阿波特、雷欧·巴奈扎、克里斯托弗·贾科特、卡内赫迪奥·霍恩、黛拉格·坎贝尔、道格·麦克劳德、MatthewGarlick
类型:科幻、惊悚、恐怖
制片国家/地区:加拿大、英国
语言:英语
上映日期:2020-01-25(圣丹斯电影节)、2020-10-02(美国)
片长:103分钟、104分钟
又名:PossessorUncut
讲述一个秘密组织的特工TasyaVos利用大脑植入技术来“栖息”在他人的身体里，驱使他们为某些高薪客户执行暗杀任务。然而一次例行工作出了差错，她很快发现自己陷入了一个不知情的嫌疑犯的思想中，其对暴力的欲望导致她要和自己作斗争。
‘肆’ 求一篇英文电影的英文读后感
功夫熊猫 1
I still remember way back in 2005 when I first heard about Kung Fu Panda I thought it was a pathetic idea. My thoughts had to do with 2 things… the concept and using Jack Black. Both I thought were terrible ideas that seemed to me to lend themselves to yet another cookie cutter, annoying, cheap and witless animated film (non-pixar) that would just rely on fart jokes, burp jokes, fart jokes and basically any simple little thing it takes to amuse 10 year old kids (which is just about anything) without bother to put any quality story telling or themes or idea into it. Just have Jack Black talk in outrageous tones, flash some pretty colors and have Po (that’s the name of the Panda) fart.
Yes, I thought I could already see the entire movie playing itself out in my head just from hearing the concept alone. So off I went to see Kung Fu Panda the other day. Was I correct in my first impressions? Actually… no I wasn’t. It’s actually not a bad film at all.
“The most important element” in any film will vary according to its genre. For a film like Kung Fu Panda clearly the most important element it needed to pull off was comedy. If a film like this one doesn’t make you laugh… then there isn’t much left to fall back on. Thankfully the movie succeeds quite well on this level. I can’t recall any more than 1 hard belly laugh (usually a decent comedy needs much more than that), but it felt like it at least always had me smiling or giggling through the run time. Almost none of the joke were home runs… but then did all work. The end result was I found myself entertained almost all the way through.
Coming up with a good villain in a kids film is no easy task. The character has to be menacing, but at the same time you can’t give kids nightmarish visions and make them crap themselves. I mean come on… it’s Kung Fu Panda… you can’t exactly have Violator (from the Spawn comics) showing up can causing kids across the nation to spontaneously crap themselves in their theater seats… then requiring therapy for the next 3 years to make the nightmares go away! It is a fine and delicate balance… and the villain in Kung Fu Panda, Tai Lung, was PERFECT. He was certainly menacing… but at the same time easy enough for the kids to handle without needing pampers. I think the presence of such a villain really helped the film work.
Doing good action in an animated film is also no easy task. I mean, it’s easy enough to DO… just not so easy to do WELL. However, Kung Fu Panda and the folks at Dreamworks really did pull of some BEAUTIFUL animation with complex yet extremely smooth kung fu fighting that was a treat to watch. It was also a lot of fun seeing how each character had a totally different fighting style in keeping with which animal they were. I mean come on… how on earth do you animate a snake doing Kung Fu and have it look cool? Well… they found a way!
功夫熊猫2
Kung Fu Panda is an American animated comedy film released in 2008. After its release it is welcomed by most alts and children and receives very positive and favorable reviews. I think the film is trying to tell us that if you have a dream and hold on to it, you will be successful one day.
The movie is about a lazy, fat and clumsy panda called Po. He helps his goose father in his family noodle shop every day. And his father expects him to take over the shop and tell him the secret ingredient of making noodle soup. However, Po is fanatic of Chinese Kung Fu and is always dreaming to become a Kung Fu fighter.
Everyone is surprised to find the result but they have to accept the reality. Eventually Shifu takes sage advice from Oogway and begins to teach Po martial arts. Po is carefully prepared to fight. But is Tai Lung defeated in the end by the panda? I urge you to find out the result on your own.
In my opinion, the most impressive part of the movie is the sacred Dragon Scroll and the secret ingredient of making noodle soup. When Po is ready to open the sacred Dragon Scroll, which promises great power to its possessor, he finds nothing but blank. He was in despair and everyone is shocked and desperate. So Shifu has to order his students to lead the villagers to safety while he stays to delay Tai Lung for as long as he can. Then Po meets his father on the way back, and unexpectedly his father tells him the secret ingredient of the family's noodle soup: nothing. He explains that things become special when people believe they are. I think this is the theme of the movie. Once you hold a firm belief, you can get what you want.
On the whole, the movie is funny and entertaining. Its theme of “believe in yourself” is loved by the parents. And for alts there are some wonderful actions and sceneries. If you have not watched the Kung Fu Panda, I sincerely recommend you to watch it and enjoy the enthusiastic and funny Panda.
音乐之声1
Watching the DVD of "The Sound of Music" wasn't exactly a revelation -- after all, I was a teenager when the film came out, and saw it in a theater, lo those many years ago -- but it was a delight.
I hadn't seen it for many years, and it was a great treat to see it again via the excellent proction values of the THX digitally mastered DVD.
That long tracking shot over the Alps to Julie Andrews' wonderful, crystal-ringing voice set the pace for a delightful movie.
There are people who turn a cynical eye and ear to this film, which is too bad for them. Musicals have a limited audience in this age, I suppose, but for those who love music in any form, and who can stand some sweetness from time to time, this film is deeply enjoyable.
The music is almost completely great (there is one tune I just can't warm up to), the performances are charming, the Austrian locales are beautiful and the story is touching, involving love, personal drama and world drama. What else do you want?
"The Sound of Music" is a mostly true story, of the Von Trapp Family Singers. Austrian Captain von Trapp, wife Maria and his children had sung in the Salzburg Music Festival in 1936, then scooted out of Europe in 1938 to get away from Hitler and his evil ways. Eventually they opened a music school, then an inn, in Vermont.
Maria wrote a book, "The Story of the Trapp Family Singers," which became a German film, "Die Trapp Familie," in 1956. By 1959, the story of the von Trapps had become a successful Broadway musical, with a little help from Richard Rodgers and Oscar Hammerstein II. The movie version -- directed by Robert Wise and somewhat improved from the stage version, most agree -- was released in 1965.
It is the story of the lively novitiate nun, Maria (Andrews), who -- too flighty to concentrate on religious ties -- is sent to be governess to the von Trapp children. She soon thaws out the icy Captain von Trapp (played by Christopher Plummer) and he sings "Edelweiss" with his children, and before too long he's in love with the noviate and eventually they are wed.
Watching the DVD -- again, many years after the last time I'd seen the film -- I was continually thrilled by Andrew's great charm and beautiful voice, which rings as pure as the finest crystal. She is so delightful in the role that it is no wonder she has been the star she is for so long.
There are photographs of the real Maria, and interviews with some of the von Trapp children. It's amusing to hear them talk about the liberties the film took with their story.
"The Sound of Music" was the most popular movie ever made to that date, and held the box-office record for a long time. For good reason. It is a complete delight, and still highly recommended.
音乐之声2
THE SOUND OF MUSIC (1965) was one of the most popular films of the 1960s. Although a bit corny, it is a joyous musical odyssey suitable for the entire family. Today, too often what goes for musicals, see for example EVITA, is little more that a show with a single decent song. In THE SOUND OF MUSIC every song is tuneful and most are memorable and moving.
Some shows are meant to be seen in a movie theater on a large screen with an impressive sound system to match. THE SOUND OF MUSIC is one of them. Nevertheless, our family enjoyed it at home. We have a high quality home theater setup, but the full effect can only be experienced in a real theater. I have not seen the film that way in thirty years. This review is from the home viewing rather than my memory.
The movie is filled with songs, and there are even some simple dance numbers. When Liesl dances in the conservatory at night with Rolfe (Daniel Truhitte), she ends up giving him a single kiss. This sends him into total rapture. I can remember a time when I was a teenager like him and one kiss from a girl, especially a beautiful one, could evoke a response as strong as Rolfe's. Times change and teenagers are regretfully much more sexually sophisticated now. Still, the lone kiss in that scene remains powerful.
In a show that is so upbeat it has been criticized as being sappy, there is the tension of the looming war. The Captain's friend Max Detweiler (Richard Haydn) is apolitical and ignores the coming Anschluss. "What's going to happen is going to happen," he advises the Captain. "Just make sure it doesn't happen to you." Although this war reality is ever-present and although the film is based on a true story, the movie feels like a lovely and enring fairy tale.
This is a movie filled with exuberance, memorable songs, and great beauty. A joy to be savored and seen by each generation.