❶ 求一篇外国电影《外星人et》 的英文影评
《外星人et》 的英文影评：
What is love, love is through all the obstacles, let a person get happiness and joy of good channel。
什么是爱，爱是穿越一切障碍，让一个人得到幸福和快乐的好渠道。
I sit at my window, heart can't be calm once, the story finished debunked, but also ripples in mind。
我坐在窗前，心不能平静一次，故事结束了揭穿，但心里也泛起涟漪。
This is a science fiction films, elliot is an illusion, the little boy often fantasize that fantasy have aliens exist。
这是科幻电影，艾略特是幻觉，小男孩经常幻想有外星人存在。
ET, who was one of the earth was kind of aliens, but full of love, he found little elliot saved。
Et 是地球上的一个外星人，但是充满了爱，他发现小 elliot 得救了。
ET, everyday, friendship and love to take care of him to their hearts of bridge tightly together。
每天，友情和爱情把他照顾得和他心中的桥紧紧地连在一起。
although language cannot communicate very well, but their feelings beyond all together, Although appearance has so big difference。
虽然语言不能很好地交流，但是他们的感情超越了一切，虽然外表有那么大的差异。
but have a docile and purity of heart, between them has established a wonderful telepathy, they became best friends。
但是有一颗善良纯洁的心，他们之间建立了一种奇妙的心灵感应，他们成为了最好的朋友。
He remembered the boy and ET live together in good time, they were so happy and happy。
他想起了那个男孩和他一起生活的美好时光，他们是那么的快乐和幸福。
What makes them together, become good friends?
是什么让他们在一起，成为好朋友？
I think this is the power of love, elliot with that kind of love, care the helpless ET, concerned with ET understanding。
我认为这就是爱的力量，艾略特带着那种爱，关心无助的人，关心理解的人。
❷ 求经典外国电影影评---要英文版本的
珍珠港的影评
pearl harbour film review
Pearl Harbor consists of three incongruous acts, mashed together into an ungainly whole. It appears to be more interested in reprocing the success of Titanic, which also set a fictional love story amidst a tragic historical event, than it is in telling the story of the men and women who fought and died in the attack on Pearl Harbor.
Titanic worked because the central characters were interesting, the story was cohesive, the historical events were handled respectfully and with the proper dramatic tone, and underneath it all was an intelligent reflection on the human failings that permitted such a tragedy in the first place.
Pearl Harbor reces the historical backdrop into a series of action set pieces. Instead of exploring ideas inherent in the events, it extracts them, recing the reason for Japan's attack to something inexplicable at best, and having utterly nothing to say about why the attack happened, how it was carried out, or how we responded. The film is dedicated to the men who died at Pearl Harbor, but what does it dedicate to them? It does not seem very interested in them except as a tool for dramatic imagery. Consider, for example, a scene in which we learn that men are trapped in a sunken ship in the harbor. We learn this to emphasize the brutality of the attack, as if such emphasis were needed. Then the film forgets this point entirely, providing the fates of those men in a narrated line just before the closing credits. Why wasn't the third act of the film about those men, instead of a rushed covering of the Doolittle raid on Tokyo, complete with overblown crash landings and an improbable engagement with Japanese soldiers?
If you want to see a real movie about Pearl Harbor or the Doolittle Raid, one that paints a deep and accurate picture of what it was like, one you can learn from, one that pays tribute to our veterans, or even just one that functions as convincing entertainment, there is no shortage of options. Tora! Tora! Tora! chronicles the events before, ring, and after the attack from both the American and Japanese sides. Thirty Seconds Over Tokyo is as thorough a chronicle of the Doolittle Raid as is probably possible in a feature film, while also following the personal stories of a few indivials involved (any one of which is more interesting than the personal story in Pearl Harbor). The Purple Heart, one of the most heartbreaking movies I've ever seen, tells the story of Americans captured by the Japanese after the raid.
Writing off the historical aspects of the film, I am left with the love triangle that makes up the entire first act and pervades the rest of it. It is wholly uninteresting. This same story has been told better, countless times before. Not one of the three characters is fleshed out into an indivial: they are bland stereotypes, dolled up to look pretty and given trite lines that they recite to convey the illusion of genuine emotion. It's telling that it doesn't much matter to us how the love triangle is resolved. Unless they both die, she'll get one of them, and who cares which? Neither of the men are personable, and we surely suspect early on that her decision will be based more on fate than her own volition anyway. (In plots like this, it's survival of the survivors.) And so, alas, we are denied even the most basic of all elements of storytelling, namely, characters making actual decisions
❸ 求好看的国外电影的英语影评
[127小时] 在夹缝中重生
<127小时>是一部值得深思的电影,影片讲述探险者阿伦在一次户外探险中发生意外,手臂被滚落的石头夹在石缝中不能动弹,经过五天的思想斗争,阿伦泱定用小刀割断手臂并成功逃生.真实事件改编足以引起关注,没有复杂的电影手法与语言,导演丹尔保尔将阿伦被困五天内的幻想影象化,并采用半纪录片的方式展现.主演詹姆斯 弗朗哥的表演也将阿伦被困的冷静到急燥到害怕再到绝望表现的淋漓尽致.影片的高潮就在那三分钟的断臂,导演做的很好,适可而止的血腥加上紧张十足的配乐再加上詹姆斯的表演,成就了这场精彩的断臂戏,使观众体会到了阿伦的痛苦.这是丹尼保尔的又一力作,一部奥斯卡级别的作品,一部证明詹姆斯 弗朗哥演技技的影片. 个人评分8.5 imdb评分8.3
❹ 英文电影影评
呼啸山庄
Although "Wuthering Heights" is Emily Bronte's only novel, published in 1847, it has long been considered a classic and is included in many literary canons. In the story Catherine and Heathcliff are friends who are also in a perpetual sexually frustrated state. They are constantly wishing they were with each other, even though they have relationships with other people. This passionate friendship leads to nothing but trouble, especially when there are other people involved. Both Catherine and Heathcliff are selfish and self-centered, and the result of their egotism strains the relationships all around them to the point of breaking.
Catherine ends up marrying Edgar Linton who is from the neighboring estate, Thrushcross Grange. They reside together with Edgar's sister, Isabella. In a rebellious state, Isabella runs off to marry Heathcliff. Edgar and Catherine have a little girl, also named Catherine (or Cathy), who is born just hours before Catherine (the elder) dies. Meanwhile, Isabella runs away from the tyrant Heathcliff only to find out she is pregnant with his son, whom she names Linton.
Cathy continues to grow up at the Grange under the care of her father, Edgar. Isabella becomes sick and dies. Linton is then taken in by Edgar, but when Heathcliff finds out he has a son, he takes the boy into his house at Wuthering Heights.
There were many times where the characteristics of the parent come out in the child. For instance, Catherine (the elder) was quite conceited and was used to having her way. There were many times where she was downright rude to the people around her and treated the servants with no respect at all. Even though Cathy never knew her mother, there were times when she was haughty and rude, especially when she met Hareton, her other cousin, and made fun of his vernacular speech.
After Linton was summoned to Wuthering Heights to live with his father, Heathcliff, his father was candid with him, noting his weakness and scrawniness. Linton eventually married Cathy. Almost immediately, young Linton takes on the telltale characteristics of his long-lost father. He tells Cathy that everything she owns is his, including all of her estate and even the locket she wears on her neck (at which he proceeds to tear from her neck and crush with his boot just to show her his power). Thus far, these actions seem quite out of place with Linton's past demeanor.
Children learn from their parents and other influential alts in their lives, even if the behavior isn't positive. In Cathy's case, she didn't even have to witness her mother's actions to mimic them in her teenage years. Linton didn't grow up with his father, but in a matter of a few years learned from his example in how to treat women. Although he did not have many positive male role models, he used what male role models were there, and it was the absent father figure who turned up later in life. He chose to behave like his father (perhaps to assimilate) rather than the upbringing his mother had tried to instill in him. He chose to believe his father's lies rather than what his mother had taught him before she died (which goes along with what his uncle and Nelly Dean told him). It is in human nature to imitate the parent figure of the same sex to a certain degree, even if it not right.
简爱
Kent State University's school of theatre and dance performed a rendition of the classic, Jane Eyre this month. The show was a musical with all of the necessary elements to lift you from your seat and submerse youinto a society in nineteenth century England from the time the cell phone shut-off announcement was made until the last note at the curtain call. The recurring arches, darkened, soft lighting, and the use of a classic chorus to go along with them alluded that a sinister underbelly of social status and reputation were present in the performance.
One of the first things that an audience member noticed was the grandeur of the set. It was composed of a gothic-style foreground with rustic twigs of a root-like earthy appearance. There were grand arches for windows and entries as well. Also, the background was a large arch with the silhouette of roots. There were also two matching greek-style pillar arches on either side of the stage. They added a lot to many messages of the show. For one, they were grand structures that were barren inside which is much like Mr. Rochester himself. He was a man of high social stature but felt enslaved by his trick of a marriage and his grand yet incomplete (without a true love) home. The arches also suggest the importance of reputation with the same sort of fundamental grand image yet emptiness. The way that people are enslaved yet scramble to ascertain that solid image amongst their peers. The arches were almost inviting the audience to come inside to reveal their secret, the thing that was hidden deep inside that could send the structure crumbling in ruin.
❺ 英文电影80字英文观后感
范文：This film was absolutely amazing.I have spent hours re-watching various scenes and noticing all the perfection with which they are acted and directed.
It's not the violence or action sequences that make this movie so great (although they are well done...),but rather moments like where Mathilda knocks on Leon's door.
It would be so easy to just film the door opening,but instead we see light illuminating Natalie Portman's face,symbolizing something angelic. And the moment has so much more meaning.
I know a lot of people who have seen this film because they are action fans. I'm not.But I'm glad I finally found it,because it's a wonderful film in so many other ways.
这部电影绝对令人惊异。我花了几个小时重新观看了各种场景，并注意到它们在表演和导演方面的完美。并不是暴力或动作序列让这部电影如此伟大，但更像是玛蒂尔达敲里昂的门的时刻。
拍摄开门的画面很容易，但我们看到的却是照亮娜塔莉·波特曼脸上的光线，象征着天使般的东西。这一刻有着更多的意义。我知道很多人看过这部电影，因为他们都是动作迷。我不是。但我很高兴我终于找到了它，因为这部电影在很多方面都很棒。
英语翻译技巧：
第一、省略翻译法
这与最开始提到的增译法相反，就是要求你把不符合汉语，或者英语的表达的方式、思维的习惯或者语言的习惯的部分删去，以免使所翻译出的句子沉杂累赘。
第二、合并法
合并翻译法就是把多个短句子或者简单句合并到一起，形成一个复合句或者说复杂句，多出现在汉译英的题目里出现，比如最后会翻译成定语从句、状语从句、宾语从句等等。
这是因为汉语句子里面喜欢所谓的“形散神不散”，即句子结构松散，但其中的语意又是紧密相连的，所以为了表达出这种感觉，汉语多用简单句进行写作。而英语则不同，它比较强调形式，结构严谨，所以会多用复杂句、长句。因此，汉译英时还需要注意介词、连词、分词的使用。
❻ 求一篇英语电影的英文影评，600字~800字，答好给20
《卡特教头》这部电影你看过没有？Coach Carter，讲篮球教练的，我搞了篇你看看
"Coach Carter" is inspired by the true story of Ken Carter (Samuel L. Jackson), a controversial California high school basketball coach who took a bunch of unruly underachievers and not only made them contenders but taught them how to find the "victory within."
But while the movie's motivational message is patently praiseworthy, the game it runs across the screen, for well over two hours, is so full of familiar moves from the likes of "Stand and Deliver," "Hoosiers" and "Remember the Titans" that it finally inces more fidgeting than cheers.
Thank goodness then for go-to guy Jackson. He takes what could have been a cardboard clichŽ role and puts flesh on it with his flamboyant intelligence, some sharp speeches and, of course, that castigating stare. In fact, when he first confronts the Richmond High Oilers players in the gym, calling them out as "young sirs," there are great glimmers of his "Pulp Fiction" character, Jules Winnfield, reciting Ezekiel's prophecy of wrath against the Philistines.
Also skilled is the young ensemble cast, including Robert, Ri'chard (who plays Carter's son), Rob Brown, Antwon Tanner, and Rick Gonzalez. They come together to portray a group of impoverished student athletes with a combination of sensitivity and street-smart surliness. Their often profane repartee, peppered with racial epithets and shrewd slurs, shines as the truest part of the script. And singer-songwriter Ashanti makes her acting debut with a thoroughly natural performance as the pregnant girlfriend of one of the players.
What doesn't work is the plodding pace director Thomas Carter ("Save the Last Dance") sets. The story line builds to the moment when Carter antagonizes the community by padlocking the doors to the gym and benching the entire undefeated team because some of the players haven't fulfilled their written contract to keep up their grades. And then it goes on and on from there, losing its momentum and dramatic tension in several tired subplots and at least one too many basketball games decided at the buzzer.
Samuel L. Jackson made news last week by refusing to co-star with 50 Cent in a movie based on the rapper's life. He not only refused, but did it publicly, even though the film is to be directed by six-time Oscar nominee Jim Sheridan ("In America"). A clue to Jackson's thinking may be found in his new film, "Coach Carter," based on the true story of a California high school basketball coach who placed grades ahead of sports. Like Bill Cosby, Jackson is arguing against the anti-intellectual message that success for young black males is better sought in the worlds of rap and sports than in the classroom.
There is however another aspect to Jackson's refusal: He said he thought Sheridan wanted him to "lend legitimacy" to 50 Cent's acting debut. He might have something there. Jackson has an authority on the screen; he occupies a character with compelling force, commanding attention and can bring class to a movie. He might, he said, be interested in working with 50 Cent after the rapper makes another five movies or so, and earns his chops.
This reasoning may not be fair. Consider the work that Ice Cube did in "Boyz N the Hood" (1991), his first movie and the beginning of a successful acting career. Or look at the promise that Tupac Shakur showed, especially in his last feature, "Gridlock'd" (1997), holding his own with the veteran Tim Roth. Maybe 50 Cent has the stuff to be an actor. Maybe not. Jackson's decision may have more to do with the underlying values of the rapper's life; he may not consider 50 Cent's career, so often involving violent episodes, to be much of a role model.
Role models are what "Coach Carter," Jackson's new film, is all about. He plays Ken Carter, who began as a sports star at Richmond (California) High School, setting records that still stand, and then had success in the military and as a small businessman. He's asked to take over as basketball coach, an unpaid volunteer position; the former coach tells him, "I can't get them to show up for school." Ken Carter thinks he can fix that.
The movie was directed by Thomas Carter ("Save the Last Dance"), no relation to the coach. It follows long-established genre patterns; it's not only a sports movie with the usual big games and important shots, but also a coach movie, with inspiring locker room speeches and difficult moral decisions. There are certain parallels with "Friday Night Lights," although there it's the movie itself, and not the coach, that underlines the futility of high school stars planning on pro sports as a career.
Certainly both movies give full weight to public opinion in the communities where they're set -- places where the public's interest in secondary ecation seems entirely focused on sports, where coaches are more important than teachers, where scores are more important than grades.
Coach Carter wants to change all that. He walks into a gymnasium ruled by loud, arrogant, disrespectful student jocks, and commands attention with the fierceness of his attitude. He makes rules. He requires the students to sign a contract, promising to maintain a decent grade-point average as the price of being on the team. He deals with the usual personnel problems; a star player named Kenyon Stone (Ron Brown) has a pregnant girlfriend named Kyra (R&B singer Ashanti, in her, ahem, first role), and she sees a threat to her future in Carter's determination to get his players into college.
Ken Carter's most dramatic decision, which got news coverage in 1999, was to lock the gymnasium, forfeit games and endanger the team's title chances after some of his players refused to live up to the terms of the contract. The community of course was outraged that a coach would put grades above winning games; for them, the future for the student athletes lies in the NBA, not ecation.
Given the odds against making it in the NBA (dramatically demonstrated in the great documentary "Hoop Dreams"), this reasoning is like considering the lottery a better bet than working for a living.
Jackson has the usual big speeches assigned to all coaches in all sports movies, and delivers on them, big time. His passion makes familiar scenes feel new. "I see a system that's designed for you to fail," he tells his players, pointing out that young black men are 80 percent more likely to go to prison than to go to college. The movie's closing credits indicate that six of the team members did go on to college, five with scholarships. Lives, not games, were won.
从剧情本身，到主演Samuel Jackson的分析，很到位了，你可以用用；当然这部电影也不错你可以有空看看，打字打得累死了，嘿嘿；新年快乐啊
❼ 求篇英文电影的中英文影评
2012是一部美国的电影。这是一部激动人心的电影。2012重要讲了在2012时世界将会被毁灭，然而一部分人活下来的故事。看完这部电影，我每天都在思考世界末日这件事，我很害怕也很好奇。这部电影十分精彩，剧情也很惊险。这部电影也告诉我们要保护我们这个地球，爱护坏境，也要珍爱生命。2012给我很多启示，希望大家也去看看。这是多么好的一部电影呀！2012 is an exciting American movie. It tells the story that everything on earth is destroyed in a disaster in the year 2012, only a small percentage of human beings survived. After watching the movie, I ponder a lot about the end of the world everyday, because I am both afraid and curious about it. This is an excellent movie with a thrilling storyline. It tells us that we should protect the earth and the environment, as well as all creatures on earth. 2012 teaches me a lot, I think everyone should go and see it. What a good movie it is!
❽ 外国电影英文观后感
after seen the movie named《Dvinch code》，i have known that human’s borning characterristics can be very cruel,the only way we can defeat it is distroy is and let everything born agian.Human Instrumentailty can be a very good example.
What we should do is clean our crime by instrumen our heart.
❾ 英文电影影评100字
《阿凡达》影评：
Avatar is directed by James Cameron.The two main characters are Jake Sully,played by Sam Worthington,and Neytiri,played by Zoe Saldana.
Clones named Avatars are sent to Pandora Planet to persuade people there to leave the planet so that human beings can exploit a rare mineral.Jake is sent there to control his Avatar.
However,he comes across Neytiri and they fall in love with each other.Jake begins to see that nature and the planet should be protected.At last he and the people there work together to defeat human beings and send them back to the earth.
3D technology and the beautiful natural scenery are the two highlights of the film.The message of the film is simple—human beings should protect nature and live in harmony with it.
译文
《阿凡达》由詹姆斯·卡梅隆执导，两个主要角色是山姆·沃辛顿饰演的杰克·萨利和佐伊·萨尔达纳饰演的奈提莉。
名为阿凡达的克隆人被送往潘多拉星球，劝说那里的人们离开这个星球，这样人类就可以开采一种稀有矿物。杰克被送往那里控制他的阿凡达。
然而，他遇到了奈提莉，他们相爱了。杰克开始意识到大自然和地球应该得到保护。最后，他和那里的人们一起努力打败人类，把他们送回地球。
3D技术和美丽的自然风光是这部电影的两大亮点。电影传达的信息很简单——人类应该保护自然，与自然和谐相处。
❿ 外国电影的英文观后感
罗马假日英文观后感 The story is about a young princess (公主) (Hepburn) named Ann, making a goodwill (善意的) tour of Europe's capitals. She is tired of the responsibility (职责) and demands of the role she has been born in to and longs to experience the every day pleasures of an ordinary person. In Rome she finally rebels. Waiting until after everyone in the embassy (大使馆) where her party is staying has gone to sleep, she slips out a window and finds herself alone on the streets of Rome. She is found by Joe Bradley (Peck), a hardened (坚毅的) and somewhat cynical (愤世 嫉俗的) reporter, on his way home from a late night card game. Not knowing who she is but seeing that she has no place to stay he takes pity on her and invites her to his apartment for the night. In a comical (滑稽的) scene, he offers her a pair of his pajamas (睡衣) and points to the couch where she can sleep. Innocent (天真的) aristocrat (贵族) that she is, she asks for a nightgown and help undressing. Bradley helps her take off her tie and then leaves the room. When he returns a few minutes later he discovers her sound asleep on the bed, leaving him the couch (沙发). Leaving her sleeping the next morning, Bradley shows up late for work and tries to cover himself by saying that he had an interview (采访) with the princess. But his editor shows him a newspaper with her picture and headline stating that she was taken ill the night before and canceled all appointments (安排) for the day. Bradley immediately realizes who he has in his apartment and gets the editor to agree to pay $5,000 if he can get a real interview with the princess. On the way out Bradley contacts a photographer (摄影师) friend, Irving Radovich (Albert) and arranges for him to met him later with his camera for a big scoop. Returning to his apartment, Bradley picks up the princess for their planned tour of the city. Bradley's real aim is to get the pictures and story he promised (答应) his editor. But the innocent charm of the princess softens him and the two start to fall in love. They end up having a good time and some comical adventures (冒险). Bradley conceals the fact that he is a reporter who knows who she really is and she doesn't tell him that that she is a royal princess. But in the end the truth comes out and the princess realizes that her ty to her country and family come first and she reluctantly (不情愿地) returns to her official role. The two meet briefly at the end ring her press conference with other reporters. She addresses Bradley as Mr. Bradley just like the others. As he is leaving, Bradley, quietly slips her the photos that his friend Irving had taken and lets her know that his story and pictures of their time together will never be published (公布). The charming Audrey Hepburn plays a modern princess who takes a day on Rome. She meets up with reporter Peck and wise-cracking photographer Albert. Peck and Hepburn fall in love, though Peck plans to sell an "exclusive story with the princess." Roman Holiday is a fun romantic comedy, but stays realistic (现实) with its commentary on society and royalty. Roman Holiday Thanks to some recommendations from my friends , I have recently enjoyed lots of nice films. And last week, the film ‘Roman Holiday’ has impressed me a lot. As a remarkable work in the film history, this film is really worth watching. It can be summarized in such a delightful story (This may be a spoilerJ): Princess Anne, who was performed by Audrey Hepburn, was getting bored with her restricted schele when she was on a publicized tour to Rome. One night, she sneaked out of her luxurious residence and fell asleep on a public bench in central Rome. However, she was found by Joe Bradley, an American newspaper reporter, who was performed by Gregory Peck. Joe took her home without knowing who she truly was. Anyway, he was subject to make a big fortune by secretly interview the princess when the truth turned out. But instead of that, after showing Ann around the city and having a good time with her, he forced himself to say farewell to her, for he knew the romance between them oughtn’t to be happened because of their great difference in standing, even though they had fallen in love with each other. The end of the romantic film is really disappointing to most of the audience, though it ought to be imagined at first. However, Audrey Hepburn had successfully performed Ann as a naughty, naive and sweet angel, who ordered a glass of expensive champagne without thinking, who curiously had her first cigarette, who fell in love with a poor but kind man, and who finally firmly returned to the place she hated, only because of her responsibility. She was really charming and graceful, not only from her innocent eyes and expressions, but also from her particular character.