1. 五篇英语电影短篇影评 （ 影评和电影都是英文的）
2012 is a 2009 disaster film directed by Roland Emmerich. The film stars John Cusack, Chiwetel Ejiofor, Amanda Peet, Oliver Platt, Danny Glover, Thandie Newton and Woody Harrelson. It was distributed by Columbia Pictures. Filming began in August 2008 in Vancouver.
The film briefly references Mayanism, the Mesoamerican Long Count calendar, and the 2012 phenomenon in its portrayal of cataclysmic events unfolding in the year 2012. Because of solar flare bombardment the Earth's core begins heating up at an unprecedented rate, eventually causing crustal displacement. This results in an onslaught of Doomsday event scenarios plunging the world into chaos, ranging from California falling into the Pacific Ocean, the eruption of the Yellowstone National Park caldera, massive earthquakes, and Megatsunami impacts along every coast line on the Earth. The film centers around an ensemble cast of characters as they narrowly escape multiple catastrophes in an effort to reach ships in the Himalayas, along with scientists and governments of the world who are attempting to save as many lives as they can before the disasters ensue.
I think,it will be, for its audiences, one of the most satisfactory films of the year and it really can be called the "mother of all disaster movies".
《蜘蛛侠2》英语影评
情节想必都知道，以下是影评
So what's your choice between being a common person or a hero with people's respects? Most people will choose the latter. But what will be your choice if the cost is laying your lover among the risks? What will it be if the cost is you can never tell the girl, who you love so much, that you love her? The spider man had this contradiction. But finally he still chose the latter, not in order to be a hero, but to make this word peaceful.
I was so moved by the words the Aunt Mary said:
You will never guess what he wants to be, the spider man. He knows the hero when he sees one, too a few characters out there, flying all around out there, saving old girls like me. Lord knows kids like Henry need hero courageous, sacrificing for people, setting examples for all of us. Everybody loves a hero. People enthrone them, cheer them, scream their names and years later they will tell how they stood in the rain for hours just to get a glimpse the one who taught them to hold on to stand longer. I believe there is a hero in all of us. They keep us be honest, give us strength, make us noble, and finally allow us to die with proud. Ever though sometimes we have to initiatively give up the thing we want most, even our dreams. Spider man did that for Henry, so he wants to know where he is gone. He needs him.
The spider man got much from these words, so did I. And what about you? what's the hero lying in you?
2012剧情
杰克·杰克逊（约翰·库萨克饰）带着孩子去黄石公园度假，却发现曾有美好回忆的湖泊已经干涸了，而这个地区也成为了禁区。充满疑惑的他在黄石附近的营地偶然认识了查理。查理告诉他由于自然环境和资源长期被人类掠夺性破坏，地球自身的平衡系统已经面临崩溃，人类即将面临空前的自然灾害。查理说有些国家已经在联合秘密研制并建造可以躲避这个灾难的方舟。杰克逊以为他是个疯子就一笑而过走开了。
第二天灾难发生了。强烈的地震伴随大量陨石的坠落，让眼前熟悉的家园变成了人间炼狱。在地球的其他地方，各种各样的自然灾害也以前所未有的规模爆发。杰克逊和众多家庭一样踏上了求生之路。面对全球性的自然灾害，不知何去何从的他突然想起查理提到过的方舟和地图，于是决定前往方舟基地寻找生存的机会。
在寻找和前往方舟基地的过程中，杰克逊一家在经历灾难的生死考验之后终于到达了方舟基地。然而已经制造完成的方舟数量远远不能满足从世界各地闻讯涌来的受灾人群。
谁去谁留已然成为挑战整个人类的道德抉择。面对灾难，来自不同国家的人类做出了最重要的抉择：“所有人都是平等的，都有平等的生存机会！”最后人类终于在方舟中度过了这一全球性的灾害，获得了继续繁衍和发展的希望。
2012英文影评：
The world is ending in a matter of hours, yet justice and humanity don’t penetrate through the brain-shells of politicians. In order to save their own lives, the government officials keep the secret from the rest of human kind and also lets the man whose knowledge saves their lives die. This is the premise of 2012.
But if the viewer is a Tibetan or someone who is aware of the Tibetan culture and the sensitivities of Tibetan issue, one could feel that the justice and humanity are not occurred in the director’s thought either.
There is a scene long enough to mention that takes place in Tibet. In fact the last human beings die there and the new seed of the future human race starts at the neck of Mount Everest, “The People’s Republic of China” the movie calls it. Perhaps what no movie reviewer noticed or saw the importance of mentioning is that the prophetic fictitious story of the movie not only makes a statement that Tibet is completely a part of China, but also it totally misrepresents the core culture of Tibetan people. A Tibetan woman killing animals in Tibet is taboo, it never happened except ring the Cultural Revolution when some women were forced to do so. Women killing chickens in the Chinese market is an everyday event, but a Tibetan woman killing a CHICKEN reflects the director’s cultural ignorance and it makes the movie even more ridiculous.
And in real life ethically speaking, Mr. Emmerich failed to hire Tibetan actors who can speak their own language. All the actors who play Tibetan characters are Chinese very poorly pretending to be Tibetans. Their Tibetan is hundred times worse than Zhang Yi’s memorized English or Leonardo DiCaprio’s Swahili (well I can imagine!).
影评翻译
世界是结束一个小时的问题，但正义和人类不穿透脑政治家炮弹。为了挽救自己的生命，政府官员远离了人类的其余的秘密，也让男子的知识，能拯救他们的生命死亡。这是2012年的前提。
但是，如果观众是藏族还是有人知道谁是藏族文化和西藏问题的敏感性，人们可以认为，正义和人类没有在导演的思想也发生了。
现场有一个足够长一提的是发生在西藏的。事实上，最后死在那里人类和未来的人类新的种子开始在珠穆朗玛峰的脖子，说：“人民中国共和国”的影片调用它。或许没有发现或电影评论家看到一提的重要的是，预言的电影虚构的故事，不仅使声明说，西藏是完全是中国的一部分，而且是完全歪曲了西藏人民的核心文化。杀害一名西藏妇女西藏动物是禁忌，但从来没有发生过除文革期间当一些妇女被强迫他们这样做。杀害妇女在中国市场的鸡的日常事件，而是一个藏族妇女杀鸡反映了导演的文化无知，这让电影更可笑。
而在现实生活中讲道德，艾里奇先生没有聘请藏族演员谁可以讲自己的语言。所有的演员扮演藏文字符谁是华人很差冒充西藏人。藏族是100倍不如章尾的背英语或莱昂纳多迪卡普里奥的斯瓦希里语（好，我可以想象！）。
以上是复制的。。。。回答人： 爱的双重魔力∮
其实你好好在网上找一下都会有的。
2. 要两篇英文电影的影评，要求是英文，带翻译。。
"Spider-Man 3" to the large American-style American justice line, Stars and Stripes provides some background under a continuation of this tradition. Director of the Song and Dance Drama introction of a number of elements to make the movie tough transition soft lines. But many of them still exposed the inadequacies, such as the introction of the three opponents make films delicate enough. Although the three opponents makes the selling point of the film rich enough to describe the convincing. May is a long-time director of the restrictions on expression, that is to be regretted. The feelings expressed in the drama, the drama pm, because shear. Make no feelings lines, "Spider-Man 2" high. Directors may wish to use Parker and Harry's friendship elements to complement this part, it is regrettable that these were part of human nature to hide. After all, more than two hours of film shear Association inevitable lot of directors was reluctant to cut off part. Oh, the film overall is very strong. It should be said that the main thrust of expression is very delicate, very chewing head. Rhythm is still continuation of a rapid tradition. The taste is worth careful film. 《蜘蛛侠3》继续了美式大片美国式的正义路线，星条旗下的背影延续了这个传统。导演引入了一些歌舞剧的的元素力求使得影片硬朗的线条变的柔和。但当中还是露出很多的不足，比如三个敌手的引入使得影片的细腻不够。虽然三个敌手使得电影的卖点丰富，可刻画的不够有说服力。可能是片长的时间限制了导演的表达，可不得不说是个遗憾。在感情戏的表达方面，戏分被剪切的所剩无几。使得感情线路没有《蜘蛛侠2》的饱满。可能导演希望用帕克和哈里的友谊元素来补充这部分，但是很遗憾这些被人性的部分给掩盖了。 review: Se jie (Lust, Caution) (Venice 2007) 影评《色戒》 因为字数限制，只贴网址给你： http://www.mtime.com/my/shengzi/blog/583312/
希望采纳
3. 英文电影影评（汉语即可，不要大热的）
《危情时速》：另一种形式的丰满
动作片上映，尤其是特尼-斯科特这种擅长拍摄速度感极强的动作片的导演的作品，通常都被扣上“剧情单薄”的帽子。其实，类型片总有类型化后的目的，就实现目的的程度来看，《危情时速》的剧本可算是丰满至极。诚然，在两列火车会车、1206火车头与777车位衔接、列车通过高架弯道这些段落，导演是利用纯粹的剪辑技法和拍摄技法来营造最屏气凝神的紧张感，但是观众之所以能够在特定段落提前进入屏气凝神的状态和心境，却是与剧本上的扎实分不开的。
此片的剧本让我想起了两个很经典案例。一个是1957年Sidney Lumet导演，Reginald Rose编剧的《十二怒汉》。记得有一次参加一个编剧的交流会，曾经有人提到了该片。有一位很年轻的女孩儿当时说：“《十二怒汉》的剧情多简单啊，单线索，三段式。”当时在座的所有人下巴都掉地上了。从格局上来看，《十二怒汉》却是是很简陋，96分钟时间里有95分钟都是在同一个屋子里，同样的12个人的对话。如此看来，本片的剧情用“单薄、单一、枯燥”等词来形容一点儿都不为过。可是，本片高明之处，就在于每个角色的个性鲜明，并且通过言语和肢体上的交流，众人的意识和观点发生了渐进性的变化。以表决为标志，很明确地将这种递进的层次感表现了出来。有这种标志和递进感，即便影片是单一的线索，单一的场景，剧情上的张力也依然是层出不穷的。
另一个例子是大家所熟知的《阿凡达》。很多人都惊叹于《阿凡达》的画面表现力，而否定影片的故事的精彩。其实说实话，你回想一下，这部戏根本就没什么废戏。影片里的很多看似很随意的剧情，其实都担负着引出画面表现的任务。换言之，大家能够这么沉浸在影片的画面表现，不是因为影片用画面征服你，而是先设计好圆顺的故事情节，然后才把观众带入到这种画面里来享受的。对比《西风烈》，我们就能明白在画面表现之前做好故事铺垫是多么重要。于是，《阿凡达》的剧本在人物上进行了弱化，在悬念上也进行了弱化，为的就是突出故事上的细节。我们可以看到，影片中屡次出现小起伏和小波折，而每次波折过后就会引出一段或华丽多彩或紧张窒息的视觉段子。
用了这么多话介绍了上面两个例子，就是为了让大家了解到，剧本的编写往往是有一定的目的性的。如果枉顾目的性而执意要在剧本上做文章玩花样，就会让人颇为不理解。只有针对影片的目的采用合适的剧情模式才是最牛的。在这一点上，克里斯托弗-诺兰是最被我所推崇的。回到本片来看，就是故事设计对主题的契合达到了相当高的高度。本片英文片名是“Unstoppable ”，给人一种宿命感。类型为动作惊悚片，主要目的是以惊险的动作场面为观众提供视听上的冲击。
为了实现“Unstoppable”的感觉，我们看到影片并没有从一开始就把两大主演，丹泽尔-华盛顿和克里斯-派恩与“溜车”的777号联系在一起。其实这是稍微有违常规的。影片一共就这么两个大牌，可是这两人在前45分钟里几乎与主线剧情脱离，不仅与777没有关系，还在1206上悠哉悠哉。看似浪费，其实是一个很妙的安排。我们看到，在本片中，火车不是像巴斯特-基顿的《将军号》那样是一个“大道具”，而是一个难以被征服的“野兽”。在整个拯救过程中，并不只是两大主演的英勇表现，而是调动了多种营救方式。这些其它的营救方式是由主角外的其他人实施的。在两大主演发威之前，已经实施四到五种“Stop”计划，均以失败告终。这样反复实为，一来营造了多起紧张刺激的小高潮，二来从一个侧面把777这两列车塑造成了“有血有肉”的终极大Boss，为影片最后的高潮积攒了情绪上的力量。这种安排最让我感到有新意的，是影片去掉了“英雄”。让整个事件看上去更加可信，更加真实。在一场“Unstoppable”的灾难面前，可绝不是天降英雄就能助黎民百姓摆脱死亡阴影的。这样一种形势，在配合上前40分钟对两大主演的淡化描写，就更显出了任务的艰巨，以及最后胜利后带给人的欣慰。这演变成了一场众人合力后，对怪兽的胜利。不过比较令人可惜的是，影片最最后的的解决方式让人稍微有些脱力。前面去英雄化近80分钟，等来的却依旧是克里斯-派恩非常“英雄”的纵身一跃。不给力啊！不给力！
对于惊险的视听冲击，影片在剧情上也进行了极为厚实的辅助工作。大家可以回想一下，影片最给力、最惊险、最刺激的三五场动作戏，哪一场不是在之前的剧情里铺垫了很多次的？影片从一开始出现危机状况开始，以后方操控的三方势力的不断交流中，我们就提前预知了777号一路上可能会遇到的几个危险阶段。之后所有人的努力就是要让危险不出现。于是乎，影迷心中的纠结便一直化不开了，这提及的危险地段，777是能到还是不能到，如果777真的到了，究竟是过得去还是过不去？在心情平静的观影前和观影后，我们的理性会告诉自己，这些危险一定会来，如果不来还有啥看头？这些危险地段777也一定能过去，否则结局如何收尾？但是，当你处于心情不平静的观影中时，谁还能理性地去想这些问题，当时是跟随着剧情的引导去期待这些问题将会以一个什么样的具体画面细节来表现。因此说，动作戏剧本最精彩的地方不在于你设计了什么危险，设计了如何通过危险，而在于你如何引导观众去实现等待危险到来的心情。很显然，《危情时速》在这方面的表现非常出色，甚至比那几段动作戏的惊险效果还出色。
影片能够兼顾高潮段落的惊险刺激和高潮前的逐层铺垫，又能做到小高潮的丰富不间断，就是是先了剧情上的丰满。托尼-斯科特就是好莱坞电影人之所以能够称霸全球最好的例子，人家不求全，不求高深，不求大师称号，就是扎扎实实地为影迷的观影历程着想，不仅要在大高潮小高潮的段落里用凌厉的剪辑和高成本的爆破冲击观众的视听感觉，还要在每一个高潮到来前给你做好心理上的铺垫。这TMD才是好剧本，好导演！
希望能帮到你！！！
4. 求经典外国电影影评---要英文版本的
珍珠港的影评
pearl harbour film review
Pearl Harbor consists of three incongruous acts, mashed together into an ungainly whole. It appears to be more interested in reprocing the success of Titanic, which also set a fictional love story amidst a tragic historical event, than it is in telling the story of the men and women who fought and died in the attack on Pearl Harbor.
Titanic worked because the central characters were interesting, the story was cohesive, the historical events were handled respectfully and with the proper dramatic tone, and underneath it all was an intelligent reflection on the human failings that permitted such a tragedy in the first place.
Pearl Harbor reces the historical backdrop into a series of action set pieces. Instead of exploring ideas inherent in the events, it extracts them, recing the reason for Japan's attack to something inexplicable at best, and having utterly nothing to say about why the attack happened, how it was carried out, or how we responded. The film is dedicated to the men who died at Pearl Harbor, but what does it dedicate to them? It does not seem very interested in them except as a tool for dramatic imagery. Consider, for example, a scene in which we learn that men are trapped in a sunken ship in the harbor. We learn this to emphasize the brutality of the attack, as if such emphasis were needed. Then the film forgets this point entirely, providing the fates of those men in a narrated line just before the closing credits. Why wasn't the third act of the film about those men, instead of a rushed covering of the Doolittle raid on Tokyo, complete with overblown crash landings and an improbable engagement with Japanese soldiers?
If you want to see a real movie about Pearl Harbor or the Doolittle Raid, one that paints a deep and accurate picture of what it was like, one you can learn from, one that pays tribute to our veterans, or even just one that functions as convincing entertainment, there is no shortage of options. Tora! Tora! Tora! chronicles the events before, ring, and after the attack from both the American and Japanese sides. Thirty Seconds Over Tokyo is as thorough a chronicle of the Doolittle Raid as is probably possible in a feature film, while also following the personal stories of a few indivials involved (any one of which is more interesting than the personal story in Pearl Harbor). The Purple Heart, one of the most heartbreaking movies I've ever seen, tells the story of Americans captured by the Japanese after the raid.
Writing off the historical aspects of the film, I am left with the love triangle that makes up the entire first act and pervades the rest of it. It is wholly uninteresting. This same story has been told better, countless times before. Not one of the three characters is fleshed out into an indivial: they are bland stereotypes, dolled up to look pretty and given trite lines that they recite to convey the illusion of genuine emotion. It's telling that it doesn't much matter to us how the love triangle is resolved. Unless they both die, she'll get one of them, and who cares which? Neither of the men are personable, and we surely suspect early on that her decision will be based more on fate than her own volition anyway. (In plots like this, it's survival of the survivors.) And so, alas, we are denied even the most basic of all elements of storytelling, namely, characters making actual decisions
5. 英文电影影评100字
《阿凡达》影评：
Avatar is directed by James Cameron.The two main characters are Jake Sully,played by Sam Worthington,and Neytiri,played by Zoe Saldana.
Clones named Avatars are sent to Pandora Planet to persuade people there to leave the planet so that human beings can exploit a rare mineral.Jake is sent there to control his Avatar.
However,he comes across Neytiri and they fall in love with each other.Jake begins to see that nature and the planet should be protected.At last he and the people there work together to defeat human beings and send them back to the earth.
3D technology and the beautiful natural scenery are the two highlights of the film.The message of the film is simple—human beings should protect nature and live in harmony with it.
译文
《阿凡达》由詹姆斯·卡梅隆执导，两个主要角色是山姆·沃辛顿饰演的杰克·萨利和佐伊·萨尔达纳饰演的奈提莉。
名为阿凡达的克隆人被送往潘多拉星球，劝说那里的人们离开这个星球，这样人类就可以开采一种稀有矿物。杰克被送往那里控制他的阿凡达。
然而，他遇到了奈提莉，他们相爱了。杰克开始意识到大自然和地球应该得到保护。最后，他和那里的人们一起努力打败人类，把他们送回地球。
3D技术和美丽的自然风光是这部电影的两大亮点。电影传达的信息很简单——人类应该保护自然，与自然和谐相处。
6. 中英文互译影评《年轻的维多利亚》
电影很平缓，没有强烈的戏剧冲突，唯一紧张的就是刺客出现的瞬间，而这还该是个杜撰的情节，其余的部分一直都静静流淌，可能这也和历史有关系吧，维多利亚不像伊丽莎白一世那样强势独断，虽然终身未嫁但可以让所有男人听从她的意愿，维多利亚在位时间虽长，但自己的生活却像个正常的女人一样，结婚生子，一辈子沉浸在爱情中。 整个电影最可看的自然是宫廷风，还没有工业革命的......
Film is very flat, not strong in the theater of conflict, only tense is the assassin appear instantly, and this is the plot is an apocryphal, the rest have been quietly flowing, it is also the relationship between history, Victoria unlike Elizabeth I as a strong independent fault, although lifelong has not married but can let all men follow her will, Victoria ruled time although long, but his life is like a normal woman like, get married and have children and a lifetime immersed in love. The whole film is the most natural to see the palace of the wind, there is no instrial revolution......
7. 求一篇外国电影《外星人et》 的英文影评
《外星人et》 的英文影评：
What is love, love is through all the obstacles, let a person get happiness and joy of good channel。
什么是爱，爱是穿越一切障碍，让一个人得到幸福和快乐的好渠道。
I sit at my window, heart can't be calm once, the story finished debunked, but also ripples in mind。
我坐在窗前，心不能平静一次，故事结束了揭穿，但心里也泛起涟漪。
This is a science fiction films, elliot is an illusion, the little boy often fantasize that fantasy have aliens exist。
这是科幻电影，艾略特是幻觉，小男孩经常幻想有外星人存在。
ET, who was one of the earth was kind of aliens, but full of love, he found little elliot saved。
Et 是地球上的一个外星人，但是充满了爱，他发现小 elliot 得救了。
ET, everyday, friendship and love to take care of him to their hearts of bridge tightly together。
每天，友情和爱情把他照顾得和他心中的桥紧紧地连在一起。
although language cannot communicate very well, but their feelings beyond all together, Although appearance has so big difference。
虽然语言不能很好地交流，但是他们的感情超越了一切，虽然外表有那么大的差异。
but have a docile and purity of heart, between them has established a wonderful telepathy, they became best friends。
但是有一颗善良纯洁的心，他们之间建立了一种奇妙的心灵感应，他们成为了最好的朋友。
He remembered the boy and ET live together in good time, they were so happy and happy。
他想起了那个男孩和他一起生活的美好时光，他们是那么的快乐和幸福。
What makes them together, become good friends?
是什么让他们在一起，成为好朋友？
I think this is the power of love, elliot with that kind of love, care the helpless ET, concerned with ET understanding。
我认为这就是爱的力量，艾略特带着那种爱，关心无助的人，关心理解的人。
8. 电影英语影评 80字左右 加上翻译
大地雄心
I thought this movie was very well done.It is an overlooked treasure.Ron Howard is a great film maker and he deserves more credit for this film.I'm a huge Ron Howard fan and I felt that this film was no better than any of his work done thus far.The dialog was a bit hard to understand,but the plot,acting and directing are what make the movie so great.Nicole Kidman is so beautiful in the movie and she really carries the movie with her charisma.Tom Cruise plays his part very well.The scenery in the movie is some of the best I've ever seen.It is easy to lose yourself in this movie.I would recommend this movie to anyone I know.
9. 两篇英文电影的中文影评(500字以上
很久没有为一部电影写影评了，这部讲初恋的《怦然心动》的电影，真的给人一种怦然心动的感觉。
如果你仔细看，你会发现这个电影是从男孩和女孩两个角度在讲述。比如说一开始的女孩坐在家门口看着邻居家搬来，并主动去帮忙搬东西，在男孩看来女孩是不识相、麻烦、主动得让人害怕；但在女孩的角度看来男孩的眼睛是那么迷人，他很害羞需要她去帮他，甚至连想甩开她其把抓住的手都被她误认为是男孩主动牵了她的手(╯□╰)~，不禁让人想到“男人来自火星，女人来自金星”这条真理。故事发生在20世纪60年代的美国小镇，安静温暖又有趣。小女孩朱莉.贝克，从小学二年级就开始了对小男孩布莱斯·罗斯基的暗恋。有时候甚至是明目张胆。而布莱斯.罗斯基从见到朱莉.贝克的第一眼就害怕她，以至于一个7岁的小男孩躲在了妈妈的身后，探出脑袋来打量这个奇怪的女孩。朱莉贝克，的确是奇怪的女孩，她能够“不识相”地主动去帮邻居搬东西，大胆的在学校里面主动的拥抱布莱斯，她能够爬到一棵的梧桐树上看这个世界的美好，并在要砍梧桐树的时候，誓死捍卫，然而只有她一个人。她能够风雨无阻的给布莱斯送鸡蛋，她口中的邮递员准则。而布莱斯从最初的躲闪，到之后的理解，一路过来是磕磕绊绊。最后，终于克服心中的懦弱和胆小，终于鼓起勇气准备给朱莉一个盼了很多年的初吻的时候。朱莉.贝克却躲开了，她跑着回到家，对妈妈说这不是她想要的。她到底想要什么呢，她曾认为布莱斯拥有世界上最好看，最闪亮的眼睛。然而之后她感觉布莱斯为了得到自己心中的谅解，而对她说抱歉的时候。感觉布莱斯只是一个绣花枕头。也许布莱斯是真诚，但是他却不懂表达自己，内敛含蓄。
起先，是布莱斯的家里生活因为他的父亲总是显得一团糟糕，死气沉沉。布莱斯的父亲总是讽刺鄙视对门朱莉贝克家的庭院以及他们的生活。其实，就像布莱斯自己所说的他父亲只是看不起自己而已。他光鲜的外表下似乎有什么东西在腐烂。布莱斯的父亲在其中扮演者一个冷漠、毫无温情，近乎迂腐的角色。和朱莉贝克一家的人物行成了鲜明的比对，他们热情、豁达、开朗。即使他们庭院是多么的难看，即使开着一辆破旧的皮卡。只是因为给朱莉叔叔支付高昂的私人疗养所的费用。
喜欢故事里面那一段，布莱斯和外公独自在外散步的对话。他外公对他说“这世界上有些人黯淡无光，有些人色彩浓艳，但当你有天遇到一个色彩日彩虹般绚丽的人时，你会觉得其他人只是浮云而已。”而朱莉贝克，就是那个彩虹般绚丽的人。这样的人，并不是每一个人都能遇得到的。她有一个画家的爸爸，善良美丽的母亲，两个才华横溢的哥哥，不幸的是还有一个因为出生适合被脐带勒着，导致脑瘫的叔叔。所以她家看上去总是那么糟糕，杂草长满了庭院，她却说她从来没有为此感到自卑，换做是我，或多或少心理会有些介意。但布莱斯说他父亲不愿意冒险吃她送的鸡蛋之后，只是因为她家庭院又脏又乱。朱莉.贝克在餐桌上和父母说了要整理庭院，拮据的家庭生活让父母两人陷入争吵，这是朱莉第一次看见父母如此严厉的争吵。她父母轮流对她道歉，她说会为父母感到难过，但同时为拥有这样的父母感到幸福和温暖。
那棵梧桐树，我不知道象征着什么。但其中肯定是有包括爱情。朱莉爬上那棵树说是看到了世界上最美好的风景，她总是建议布莱斯和他一起爬树，但布莱斯总是找理由搪塞过去，他也许是怕小时候的那句话“布莱斯和朱莉爬上树，卿卿我我亲个够”。无奈树被砍倒了，她捂着脸哭了好几个星期，那棵对她来说象征着美，象征着全世界。但最后那树变成墙上一幅美丽的画，只能远远回想那片漂浮着各色云彩的蓝天。影片的海报是朱莉和布莱斯，坐在粗大的枝干上，看着紫色的天空。影片最后，布莱斯在一个周日的阳光很好天气，在朱莉家的草坪上种上了一株梧桐树苗。两只小手不经意的碰触到一起。简单的初恋故事总是让人在感动之余，不会领悟到太多的什么，或许有，这只是青春美好的初恋而已，真的很喜欢影片中女主角那张青春纯真的笑脸。只是那一刻，怦然心动。