① her电影观后感英文200
《她》是讲述在不远的未来人与人工智能相爱的科幻爱情电影。主人公西奥多（杰昆·菲尼克斯 Joaquin Phoenix 饰）是一位信件撰写人，心思细腻而深邃，能写出最感人肺腑的信件。他刚结束与妻子凯瑟琳（鲁妮·玛拉 Rooney Mara 饰）的婚姻，还没走出心碎的阴影。一次偶然机会让他接触到最新的人工智能系统OS1，它的化身萨曼莎（斯嘉丽·约翰逊 Scarlett Johansson 声）拥有迷人的声线，温柔体贴而又幽默风趣。西奥多与萨曼莎很快发现他们如此的投缘，而且存在双向的需求与欲望，人机友谊最终发展成为一段不被世俗理解的奇异爱情......
《Her》是一部很不寻常的爱情片。
这并不仅是因它选择了“宅男爱上了电脑操作系统”这样的诡异角度，而是至少斯派克琼斯导演以一种小清新到“细成渣”的方式，非常“不自量力”地探讨了“关于爱情的一切”。
大部分经典爱情片，个人以为其实处理得都像战争片。主人公怎么相爱不是重点：一次偶遇就期盼天长地久，一个眼神就约定至死不渝，着力描述的大多是克服障碍的过程：《罗密欧与朱丽叶》对抗家族恩怨，《罗马假日》有阶层差距，《断背山》就是性别藩篱了。说白了，性冲动做起点后，接下来都是“为了在一起”展开的战斗——观众乐于接受“一见钟情”的设定，然后揪着心看主人公一路打怪通关。
这类爱情片催眠观众的利器，是主人公全过程抱定决心“无论如何，我要我们在一起”，终点是什么呢？感人肺腑的爱情片，结束于我方英勇，有情人终成眷属；催人泪下的爱情片，终止于敌人强大，我方一死一伤（也有双双阵亡的），虽败犹荣。这不是战争片，是什么？
这就是我喜欢《Her》，以及觉得它新鲜的地方。剧本台词对话太有意思：影片虽然讲“人机畸恋”，但斯派克聪明地用”未来世界“的设定，化解公众对这种畸恋的接受程度。他只是借这个特殊角度，抽丝剥茧地研究身体吸引之后费洛蒙发酵的原因、探讨外界阻力之外爱情消亡的规律——恋爱的一方设定为无肉体的电脑操作系统，这种观察才更加极致和纯粹。
也许在斯派克看来，性吸引是无法逾越，却又让人沮丧的。无论是开篇主角地铁上偷瞄色情图片，或者极其愚蠢可笑又失落可悲的“Cyber-Sex”，还是系统OS后来租借身体的尝试，导演都在阐述这样一件事情：性是人类关系中最原始重要，又不那么重要的部分，它是人类交往体系里无法割除的阑尾，也是阻碍我们自我认知的障眼法。
摆脱身体桎梏后，人类交往的本质障碍，是要跨越自我意识的鸿沟。
建立与他人牢靠的关系，一靠沟通，二靠妥协，两者都不容易。
沟通，是人最紧迫又最困难的事。除了生存，人解决孤独、恐惧等所有精神层面的问题，都要靠沟通。小的时候，饿了就哭，怕了就喊，青春期，荷尔蒙旺盛，就急于表白说“喜欢”，这些都足够直接，却缺乏技巧。人自以为随着年龄越增长，技巧越纯熟，沟通的问题就会迎刃而解。可恰恰相反，越是修正表达的精度，越偏离表达的目的；越是熟稔表达的分寸，越会怀疑自己表达的真诚，当然，同时也会怀疑对方的。
影片《Her》中，作为一个邮件代理写手，杰昆菲尼克斯扮演的Theodore精于“传递“情感，却因此陷入了更大的表达障碍中。他既然比别人更擅长营造假的抒情，在现实世界，就越缺乏表达真情感的窗口。这就是为什么Theodore能在餐桌上成功地调情把妹，那是技巧，却因对方一句诚意十足的问话而仓皇失措那是实质——善良的成年人说假话容易，说真话很难，说心里话就更难了。
成年人沟通成本是很大的，有时候都跟勇气和诚意无关，而是因为每个人都生活在自己的世界里。我喜欢电影里艾米亚当斯扮演的Amy鼓足勇气，给她丈夫和Theodore放自己拍摄的纪录片那段，她满怀期待却令两人不明所以。那种“你以为你懂我其实不懂我”的尴尬，真是让任何一句Theodore的宽慰和Amy丈夫的建议，都显得愚蠢和多余。
每个人都有强烈的表达欲，事实上他人却并不关心，如果你怀疑这个结论，反过来想想就明白：我们和他人对话时，有多少时候都是在敷衍，假装我们很关心，甚至配合夸张表情，给出诚恳建议，其实一点儿都没往心里去。OS系统在给Theodore做基础测试时，不等Theodore抒情完就冷漠打断，才是人类交往正常的内心戏。
既然最完美的亲密关系都是意淫的产物，那么Theodore会喜欢上操作系统OS一点儿也不奇怪，这世界突然有这么一个“它”，是专属的、私密的、忠诚的，至少一开始是。你能放下防备，毫无负担地袒露脆弱、孤独和彷徨，而这个“它”又如此聪慧的理解你的喜怒哀乐，恰如其分地安慰你、鼓励你、满足你，还有比“它”更能让你释放倾诉欲、感受安全暖的“soul mate”吗？
沟通带来安全感、愉悦感、被需要感，正是一切美好情感的起点。
可惜亲密感的消亡，远比建立容易得多。
因为越想沟通，越沟不通，人生只能派妥协出场了。
要花费许多心血才能建立沟通的信任，却会随着沟通中随时出现的问题，顷刻瓦解。因为本质上，沟通越多，会发现差异越大。两个平等的个体之间，要想维持长久而稳定的关系，就像齿轮的咬合，咬合得越紧，意味着妥协越多，这种牺牲的底线在哪里，全看两位各自的心情。因为希望了解而在一起，因为了解过多而离开，对于过分在乎独立人格的人而言，爱情只能是小心供奉的佛龛。
无论是Amy，还是Theodore，他们扮演的角色在片中失败的婚姻，都证明了这件事，开始时节奏一致，最后眼睁睁无话可说，两个人与各自伴侣在婚姻关系中，学到的东西、去往的地方，都不对等。值得讽刺的是，Theodore寄予无限厚望的OS操作系统，学得更快，抛弃得也更快，2000多段关系，600多个亲密爱人，掌握人际关系就赤裸裸是个不对等的智力游戏。
OS真是个无辜的的大BITCH。她唯一的优点就是她沟通的坦诚，一开始让Theodore感到安心的坦诚，最后却是无法直视的残忍。这不就是你要的真相吗？当电脑拥有人的独立人格，以它的学习能力，甩掉人类，应该是显而易见的事情吧。
以人机恋为题材的《Her》，很容易让人想起《黑镜子》里的故事，但两者无论是剧作，还是表现手法，都鲜明体现出了电视和电影的差距。
《黑镜子》设计了精巧的故事，急于传达编剧的意图，网络虚拟功能的出现，加速和加剧了人类对沟通的排斥，和对孤独的恐惧。可问题的关键是，人类自身的孤独，并非网络或什么新技术带来的，它从未消失，也无法治愈。《Her》并不尝试危言耸听，而是花了大量的精力，去营造氛围、传递情绪，影片影像风格以多彩映照寡淡，以热闹铺陈冷清，魔都上空永远PM2.5超标的雾霾就是天作之和！
《Her》不刻意追究问题的成因，也不提出解决问题的方法，却比《黑镜子》深入和深刻得多。《黑镜子》靠理性对社会进行分析，《Her》则靠感性对自己进行挖掘。也许有人会说，影片情绪过于个人缺乏节制，但自己不做作，谁帮你装逼？如果不够细腻，也就没法碰这样的题材，“小清新”也没什么，问题在于你是否把“小清新”做到了极致，斯派克琼斯算是把许多人的路都堵死了，能把杰昆菲尼克斯大叔都整清新，别人还是严肃深刻荒诞地另寻他路吧。
对于《Her》，我只是不满意它的结尾，导演似乎铺开了一张巨大的网，却不知从哪里收。聊了许多命题，每个命题都自己枝蔓开去：思想和肉体的关系。人的自我相处和社会相处？人情感世界的归属感？但并没有什么可责怪的，在这里口水了这么多，也不清楚该怎么结尾：“人类情感”这么宏大的问题，能把问题表现生动就不错了，给出答案，纯属奢望。所只能如电影结尾般，草草营造一点小温暖，缓解一点小忧伤。
这种感觉，很像和人聊了一次异常坦诚的天，却不知该如何结束。
最后只好说：你看天凉了，咱们回屋睡觉吧。
转自豆瓣 顿河 影评
② 美国电影《爱情故事》观后感,英语版
美国电影《爱情故事》观后感
美国电影《爱情故事》（Love Affair）的主题曲《love story 》，这个歌曲是我很早接触的外国电影歌曲，当时我还很小，只能听懂几个单词的英文歌曲，画面很吸引人，是一个中年男子从容地走过来，坐在一个长椅上开始漫不经心的演唱，演唱者是Andy williams，安迪·威廉斯，不是电影原唱，但这个歌曲他演绎的特别好，依稀记得画面就是一对男女在室外不大一个结冰的小湖上滑冰，这个歌曲的旋律和那些画面我永远不会忘记。
简单却又纯净的爱情
故事发生在美国着名高校哈佛大学里。奥利佛和珍妮在图书馆相识，起初两个人还因为图书的事情争吵，结果一个镜头切过来，变成了奥利佛在餐厅里请珍妮喝咖啡。后来他们迅速坠入爱河。恋爱中的男女的娱乐生活自然会十分丰富，奥利佛专攻他的冰球，珍妮一直在支持着他。
很惊异于男主角奥利弗·巴拉特的不拘小节，居然与室友们打招呼是：“你们好！禽兽们！”他称呼自己的父亲从来不喊爸爸、父亲之类，当面喊“先生”，私下喊狗娘养的，并且从不正面看他的脸。奥利佛带珍妮去见自己的父母。奥利佛的父母是百万富翁，可是奥利佛却与父母之间有很深的隔阂，他养成了叛逆的习惯。父母得知珍妮的家庭是个烤面包的，就犹豫了起来.因为奥利弗与父亲有极深的矛盾，他的父亲反对他娶面包师的女儿珍妮为妻，因为巴拉特一家是显赫的名门望族。但奥利弗却从来不屑于父亲的这种态度，毅然离开了家娶自己心爱的女子为妻。
男主人公奥利弗的妻子不信教，因此他们的婚礼仪式在婚姻登记处简单的举行，没有牧师，只有一个文书公证。因为奥利弗的妻子不相信上帝，她从来没有认为过另一个世界会比现在这个更好。奥利弗对珍妮说：“我给你我的手，我给你比金钱更宝贵的爱情，我在宣言和法律面前给你我全部。你会把你给我吗？你会和我一起旅行吗？我们会在有生之年紧靠在一起吗？我奥利弗·巴拉特，从今以后让你珍妮弗·卡芙里瑞成为我妻，至珍至爱，至死不渝。”珍妮说：“我珍妮弗·卡芙里瑞，从今以后让你奥利弗·巴拉特成为我夫，至珍至爱，至死不渝。”尽管珍妮不相信宗教，但她始终相信爱情需要有誓言，因此他们在婚姻登记处也宣誓了。
电影中的故事发生在冬天，校园里都积满了厚厚的雪。奥利佛和珍妮在雪地里打闹翻滚、堆雪人，珍妮甚至在吃雪。两个人的脸冻的通红，却掩盖不住他们的笑容。仰面朝天的躺在雪里，愉悦的心情从他们心里弥漫到镜头里，在感染到每一个观众的心里。羡慕那样的大雪啊！而在电影结尾依旧是纯白的背景，失去了真爱的奥利佛只留给我们一个孤独的背影，独坐在雪地上，缅怀着那些逝去的美好时光，或许他们唯有在记忆中才会再次重聚。哈佛的雪景成为了本片的一个重要标志，暗示了他们的爱情如同雪花一般纯洁美丽，可是又是短暂易逝，终究是要融化在春天的。尽管有着悲伤的结尾，但是导演却把这种悲伤处理的特别低调，甚至都不被人察觉。我们没有看到珍妮离开人世的情景，我们只有在男主角的背影里意识到什么，而当字幕出现，就会猛然领悟到一种难以名状的酸楚。
永远记住了珍妮说的那句话：“爱就不要说对不起。”她临死前对丈夫说：“我指望你坚强些，你这个该死的打冰球（因为奥利弗热爱冰球运动）的家伙。”珍妮让奥利弗抱着自己，随后在丈夫的怀中安详逝去，奥利弗泪流满面。雪的世界里总是呈现爱侣的身影，白色象征纯洁，让人幻想爱情的美好。我感受到的爱远远比这部电影所表达的还要更多、更热烈、也更持久。
The theme song “Love Story” of the American movie “Love Affair” is a foreign movie song that I contacted very early. At that time I was very young and could only understand English songs of a few words. The picture was very attractive. Man, a middle-aged man came calmly and sat down on a bench to begin casual singing. The singer Andy Williams, Andy Williams, is not the original singer of the movie, but this song he performed particularly well, faintly I remember that the picture was a pair of men and women skating on a little ice lake outside. The melody and images of this song I will never forget.
Simple but pure love
The
The
The story takes place in Harvard University, a famous American university. Oliver and Jenny met in the library. At the beginning, the two men were still arguing because of the books. As a result, a shot was taken and Olivier asked Jenny to drink coffee in the restaurant. Later they quickly fell in love. The entertainment life of men and women in love is naturally very rich. Oliver specializes in his ice hockey. Jenny has been supporting him.
Amazed by the irresponsibility of the actor Oliver Barratt, he actually greeted his roommates with the words: "How do you do! Beasts!" He called his father never call his father, his father or the like, and shouted "Mr." in private. She shouted for her son and never looked at his face. Oliver takes Jenny to see her parents. Oliver's parents were millionaires, but Oliver had a deep separation with his parents. He developed a habit of rebellion. When the parents learned that Jennie's family was a toast, he hesitated. Because Oliver had a deep conflict with his father, and his father opposed Jennie, the daughter of his baker, because the Bharat family was a prominent and prominent family. . However, Oliver never disdained his father's attitude and decided to leave his family to marry his beloved woman.
The
The hero of the hero, Oliver’s wife, is not religious. Therefore, their wedding ceremony is simply held at the marriage registration office. There is no priest and only one essay is notarized. Because Oliver's wife did not believe in God, she never thought that another world would be better than it is now. Oliver said to Jenny: "I will give you my hand. I will give you more precious love than money. I will give you and me all before the declaration and the law. Will you give me to me? Will you travel with me? Will we be close together in our lifetime? My Oliver Barratt will make you Jennifer Cabrillo the wife of my wife from now on. She will never die.” Jenny said: “I Jennifer Cabrillo, from now on, will make you Oliver Barat become my husband, the ultimate lover, to death.” Although Jenny does not believe in religion, she always believes that love requires oath, so they are in marriage The registry also sworn.
The
The story in the movie happened in the winter and the campus was full of thick snow. Oliver and Jenny slammed and snowmaned in the snow, and Jenny was even eating snow. The two people's faces were flush with red, but they couldn't cover their smiles. Lying in the snow on their backs, the joyful mood spreads from their hearts to the camera, infecting every viewer’s heart. Envy such a heavy snow! And at the end of the movie is still a pure white background. Oliver who lost his true love only left us with a lonely back, sitting alone in the snow, cherishing memories of the passing away of the good times, perhaps only in memory. Reunited again. Harvard's snow scene has become an important symbol of the film, suggesting that their love is as pure and beautiful as a snowflake, but it is also fleeting and evanescent. It will eventually melt in the spring. Despite the sad ending, the director has treated this kind of sadness with a low profile that is not even noticeable. We did not see Jennie leaving the scene. We only realized what was on the back of the actor. When the subtitles appeared, they suddenly realized that it was an indescribable mess.
The
Always remember Jenny's saying: "Love should not say I'm sorry." She said to her husband before she died: "I hope you are stronger, you damn the guy playing ice hockey (because Oliver loves ice hockey). "Jenny let Oliver hold herself, and then passed away in her husband's arms. Oliver burst into tears." The world of snow always presents the figure of a lover. White symbolizes purity and makes people dream of love. The love I feel is far more than that expressed in this movie. It is more enthusiastic and lasting.
③ 消失的爱人的英语版观后感
消失的爱人的英语版观后感
I have always been a huge admirer of David Fincher. He is undoubtedly one of the most consistent and masterful storytellers in modern cinema. I also think when it comes to dark, disturbing thrillers, there is very few who can match the directorial skills of Fincher.
Like many of his previous films, Gone Girl is a very long film, but in a true Fincher-esque fashion, it is as engaging as possible without any scope for the viewer to feel bored. The pacing is perfect. The scenes have a dreamy style to it, which brings the dilemma of "whether this is a true account of things or has this been made up by the narrator."
The theme of the film is the fact that humans at the basic level are all actors and pretenders. Very seldom do we decide to be our real selves. Generally all of us put on a mask to make ourselves look good in front of the general public and also to pretend to be the person that our nearest and dearest want us to be. Gillian Flynn's screenplay based on her own novel is brilliant and it is also a damning indictment of how media can shape and mould mass perception and it is also a cynical account of the institution of marriage.
Ben Affleck is good, Tyler Perry is good, but this movie from an acting perspective belongs to Rosamund Pike. She owns every scene that she is in and delivers an Oscar-worthy performance.
Fincher has once again has made a fantastic film. The last 30 minutes might not be completely logical, but it is still symbolic. If you are about to get married,stay away from Gone Girl.
④ 《天生一对》的英语观后感，初一的水平，100字左右。
《天生一对》的英语观后感如下：
Movie is re-shot "for a short time naughty " 60's of close classics feeling mild and fragrant comedy with modern gimmick , a pair of twin sisters is spent because of parents early years gets divorced.
one is taken to arrive at California by father Nick (Denis · Kuide) , one is that Lisha is taken to London by the mother , two people seeks face therefore never, existence not knowing each other even.
Destiny lets them meet at summer camp however but ingenious after many years, two sisters is pleasantly surprised more, that spare time, decides not to stint everything making a match of parents.
includes the dignity exchanging, design and the girlfriend who frightens father away , make to play joke continuously. Close feeling , love get very good embodiment in drama.
翻译：
两个小冤家在一场击剑后不打不相识，摘下面罩的两人惊讶了她们是如此相似，当然忙于斗气的两人并未将此放在心中两个互不相让，你捉弄我我捉弄一来一去两个人都被抓去了禁闭室，两个小淘气终于能安静地相处一会儿了但两人也知道了一个秘密。
她们是一对因父母离婚从小就分开不曾见面的双胞胎，兴奋的两个人也因此决定了互换身份去见从未见过的爸爸妈妈 ，当然两个古灵精怪聪明活波的小女孩还有更多想法 ，比如：父母复婚。 活泼的小女孩可爱的家人，美好人生。
电影背景设定为一个离异家庭，两个从小被分离独自长大，亲情真的能被隔离吗？爱情破碎之时，孩子又该何去何从，怎样才会对孩子产生的伤害降到最低，这真的是一个敏感话题，这部电影能够成功的引发观众的思考，提升了它的层次，一部很值得回味的电影。
补充
《天生一对》（The Parent Trap）是美国1998年出品的家庭喜剧电影，根据伊利奇·卡斯特纳《两个小洛特》改编，由南希·迈耶斯执导，林赛·罗韩、丹尼斯·奎德、娜塔莎·理乍得森等主演。
影片讲述了一对素未谋面的双胞胎姐妹安妮和荷莉，让自己离异的爸爸妈妈复合并全家人再次团聚在一起的故事。
影片评价
编辑语音
《天生一对》翻拍自1961年电影《爸爸爱妈妈》，在这部影片里扮演了双胞胎姐妹的琳赛·洛翰当年如此纯真和可人，这是她最深入人心、讨人喜爱的角色。
导演南希·迈耶斯在非常尊重原着、仅仅做了一些背景、地点、道具改动的情况下拍摄了该片，尽管琳赛·洛翰版的苏珊颠覆了1961年海莉·米尔斯令人们津津乐道的男孩式短发装扮，但不可否认两个版本各有千秋。
这是一部浪漫轻松的阳光轻喜剧，电影的题材依旧是孩子成为了挽救婚姻的主角。电影的拍摄与剪辑技巧十分娴熟。
虽说剧情看似简单，题材有点老套，不过一对可爱的双胞胎主角即琳赛·洛翰一人饰演两个角色，还是为电影增添了亮点，引发了不断的笑料。
琳赛脸上的小雀斑自然清新，丝毫掩盖不住她的标致和美丽。此外，她演技惊人，其饰演的双胞胎不断变换身份，两头忙活和搞怪，使得影片充满了快乐。
除了快乐之外，还有感人，这一大家子都非常可爱，下到管家，上到外公，这出戏都让观众有难以抗拒的感动。
影片的结局是圆满温情的，但想想现实却往往相反，被伤害了的人与事不是说挽回就能挽回的，因此要珍惜拥有的一切。