『壹』 《傲慢與偏見》最後的吻戲為什麼會被刪呢
不是正版盜版的問題。因為這個吻戲在英國反響不好，所以導演把吻戲在英國和全世界除北美外的地方都把吻戲刪了。只有北美版本能看到吻戲。中國版因為和英國版一樣被刪了所以你看不到。
《傲嬌與偏見》是阿里影業和嘉行傳媒聯合出品，由導演李海蜀、黃彥威共同操刀劇本並執導，迪麗熱巴、張雲龍、高偉光主演，金晨、馬薇薇、范湉湉、Mike D.Angelo、周海媚、樊野聯袂出演的喜劇。
改編自媚媚貓同名網路小說，講述了北漂網路寫手唐楠楠陰差陽錯撿到「落魄富二代」朱侯後，又在機緣巧合下被「暖心高富帥」蕭見君一見鍾情的故事。
《傲嬌與偏見》於2017年4月20日上映。
影片評價
《傲嬌與偏見》瘋魔鬼畜的劇情讓人爆笑不停，甜蜜暖心的愛情讓人意猶未盡，女主角唐楠楠不僅思維上天馬行空、腦洞大開，行為上也不拘小節，「女漢子力」MAX，堪稱愛情電影女主中的一股「泥石流」。李海蜀導演和黃彥威導演深諳喜劇電影的拍攝技巧，對電影的把控爐火純青，節奏流暢，是一部「良心之作」，意料之外、情理之中的笑點讓人慾罷不能，堪稱「最佳段子手合集」。
《傲嬌與偏見》笑點、淚點兼具，劇情自然流暢，故事輕松歡快，「日懟生情」的三角戀很接地氣，獨到的人設和劇情生產出水到渠成的笑點，影片中唐楠楠腦洞「小鮮肉的十種吃法」、朱侯向車內扔臭屁彈陷害情敵蕭見君。
以及蔬菜版話劇「羅密歐與朱麗葉」等情節讓人印象深刻。電影結尾處高還原度的羅密歐與朱麗葉之吻的鏡頭是在羅密歐與朱麗葉的愛情發生地——義大利維羅納取景拍攝，悠久的歷史和旖旎的風光為唐楠楠和朱侯的愛情增添了浪漫氣息。
『貳』 傲慢與偏見95版
《傲慢與偏見》網路網盤高清資源免費在線觀看；
鏈接: https://pan..com/s/1y6fVnIKFNqoo6yJ4acuI8A
《傲慢與偏見》是根據簡·奧斯汀同名小說改編，由焦點電影公司發行的一部愛情片，由喬·懷特執導，凱拉·奈特利、馬修·麥克費登、唐納德·薩瑟蘭等聯合主演。該片於2005年9月16日在英國上映。該片講述了19世紀初期英國的鄉紳之女伊麗莎白·班內特五姐妹的愛情與擇偶的故事。
『叄』 05版 傲慢與偏見 完整版 百度雲
哈，我有，裡面有很多免費可以觀看，感興趣的看我有！！看我簡介了解一下傲慢與偏見
『肆』 電影《傲慢與偏見》的觀後感 ，要求對電影的藝術性方面感受多一些。字數2000字左右。
「Any library is a good library that does not contain a volume by Jane Austen」, when this words about Jane Austen given by Mark Twin first came upon to me, I was, just in your expectation, a little bit surprised. Graally, however, when I know more about the characteristics of her works, I think the judgement of Mark Twin makes sense in some degree. Especially after I have finished her work Pride and Prejudice and compared it with the contemporary proction The Red and the Black written by Stendhal. Less reflection and exposure on social conflicts among different classes is a big pity for Austen』s works, as well as for the readers. Still, however, Austen』s unique interpretation towards marriage is the distinguished feature of her literary accomplishment. And I want to give some reflection on the different kinds of relationships and marriages in Pride and Prejudice.
Five different types of relationships or marriages, as far as I am concerned, are presented in this book.
The first type, undoubtedly, is the relationship between Jane and Mr. Bingley. They met at a party and almost fell in love with each other just after their first encounter. Bingley』s wealth and courtesy, Jane』s beauty and tenderness, and the similarities in their personality are all the factors that contribute to the relationship. So, though I believe, actually, there is some kind of love between the young lady and the gentleman, it is not the pure and true love, their combination is not for no intention but for some certain desire. So I would like to call their relationship as 「Secular Love」.
Contrasting to the relationship between Jane and Mr. Bingley, the marriage between Charlotte and Mr.Collins is much less romantic, or no romance at all. One is the Cinderella in reality equipped with no prince, the other is a priest, old and ugly. Their marriage, of course, has no love but compromise. Even Elizabeth thinks 「Charlotte the wife of Mr. Collins, was a most humiliating picture!」 But what could she do? Just as she said, she is not romantic and she asks only a comfortable home, and this is within Mr. Collins ability. Comparing with being a 27-year-old burden to her family,at least for her, marrying Mr. Collins is the best choice. So as for them, I call 「Rational Love」 or rather------ 「Rational Combination」.
Another couple is Mrs. Bennet and Mr. Bennet. Just in the first chapter, I wondered why two people with such different characteristics could live together for 23 years. The wonder disappeared when the explanation was offered by Austen in Chapter 42 about Mr. Bennet』s attitude towards his wife. Captivated by youth and beauty, he married her and very early in their marriage, after knowing the disposition of her, ended his affection and used her ignorance to contribute his amusement, having impropriety of his behavior as a husband. Neither for Mr. Bennet nor for Mrs. Bennet this marriage is quite fair or contented, but both of them should pay, and had already paid the bill of their 「Hasty Love」.
Lydia』s relationship with Wickham, to some extent, is similar with her parents』. Mr. Bennet was captivated by the beauty of his wife and Lydia was fascinated by the handsome appearance of Wickham. Compared with her parents』 marriage, however, Lydia』s relationship with Wickham would only turn out a much more unpleasant one, for their marriage is based on the fulfillment of vanity and the desire of property. So I consider their relationship as 「Orectic Incorporation」
And finally here comes the relationship between Elizabeth and Mr. Darcy. When I first finished the movie of Pride and Prejudice, I still wondered why there is a love flame between them. One is so proud and the other full of prejudice, but when I read more details about this work, the answer has emerged. 「Love」, a word we are so familiar with, but what is love? In Austen』s work, I graally know that love is not just as abstract as we often regard. Take Elizabeth, for example, her love for Daisy is based on two things: respect and gratitude. She respects his valuable qualities: nobility and kindness, and even Wickham had done something so bad to him and his sister, he still didn』t blame him before others or let him lose all dignity in public. Also, she is grateful to Mr. Darcy, for his love, for his forgiveness about her bad manners when she rejected him, for his help to her sister』s marriage and her family』s fame. And finally, these turned out her attachment, affection and love for him. As for Darcy, his attention to Elizabeth was first on her eyes, full of liveliness, thoughts and pursuits and unlike any other ladies, she is such a unique girl that she didn』t flatter him at all, so for him she is so extraordinary and attractive. And Elizabeth got his respect and love because of her own independence, liveliness and uniqueness. And I regard their relationship as 「Spirit Love」.
Austen』s attitude towards marriage, love, status and property can still be used as a reference. Nowadays, fast food culture derives fast-food-style love, although we are in the era of fast changes, it』s better for us to love rationally and independently. Hope everyone has his real, unique love.
『伍』 傲慢與偏見電影2017百度資源
鏈接：https://pan..com/s/1-5bYbdrRXAT4v9M9AhbWcg
作品相關介紹：
《傲慢與偏見》是根據簡·奧斯汀同名小說改編，由焦點電影公司發行的一部愛情片，由喬·懷特執導，凱拉·奈特利、馬修·麥克費登、唐納德·薩瑟蘭等聯合主演。該片於2005年9月16日在英國上映。
該片講述了19世紀初期英國的鄉紳之女伊麗莎白·班內特五姐妹的愛情與擇偶的故事。
『陸』 傲慢與偏見2017高清
有這個2017嗎？傲嬌與偏見吧
『柒』 （急）傲慢與偏見》與《簡愛》比較
《傲慢與偏見》與《簡愛》都是享譽世界的名篇，兩部作品各自的女主人公---簡·愛和伊麗莎白·班納特，對比中對立與相似的關系，有著很誘人的趣味。伊麗莎白和簡愛她們都追求獨立自主，地位平等，都嚮往有真情的婚姻，並且堅信女性與男性有著同樣發達的智力與理性。 但是伊麗莎白和簡愛又有自己不同的個性閃光點。在男女地位上伊麗莎白表現為要求受到男性尊重, 簡愛則體現在大膽追求男女平等和女性的獨立，在愛情方面, 伊麗莎白被動等待男性的求愛, 簡愛則選擇主動追求想要的愛情。
簡·奧斯汀（英語：Jane Austen，1775年12月16日－1817年7月18日），19世紀英國小說家，世界文學史上最具影響力的女性文學家之一，其最著名的作品是《傲慢與偏見》和《理智與情感》。她的作品主要關注鄉紳家庭女性的婚姻和生活，以女性特有的細致入微的觀察力和活潑風趣的文字真實地描繪了她周圍世界的小天地。她在後期著名作品有三部：《曼斯菲爾德庄園》、《愛瑪》和《勸導》，都是作者遷居喬頓以後所作。前兩部先後出版，只有1816年完成的《勸導》，因為作者對原來的結局不滿意，要重寫，沒有出版過。她病逝以後，哥哥亨利·奧斯丁負責出版了《諾桑覺寺》和《勸導》，並且第一次用了簡·奧斯丁這個真名。2017年起將取代生物學家達爾文，成為10英鎊新鈔的肖像人物。
夏洛特·勃朗特（英語：Charlotte Brontë，1816年4月21日—1855年3月31日），19世紀著名英國作家、詩人，世界文學名著《簡·愛》的作者。生於英國北部約克郡的豪渥斯的一個鄉村牧師家庭。母親早逝，八歲的夏洛蒂被送進一所專收神職人員孤女的慈善性機構——柯文橋女子寄宿學校。在那裡，她的兩個姐姐瑪麗亞和伊麗莎白因染上肺病而先後死去。於是夏洛蒂和妹妹艾米利回到家鄉，15歲時她進了伍勒小姐辦的學校讀書，幾年後又在這個學校當教師。後來她曾作家庭教師，最終她投身於文學創作的道路。夏洛蒂·勃朗特有兩個姐姐、兩個妹妹和一個弟弟。兩個妹妹，即艾米莉·勃朗特和安恩·勃朗特，也是著名作家，因而在英國文學史上常有「勃朗特三姐妹」之稱。
『捌』 《傲慢與偏見》讀後感
這是部浪漫又現實的愛情。愛情沒有浪漫就失去其美好的色彩了。但是小說中種種關於門當戶對，以及財富對婚姻的考量卻充斥其中。
伊麗莎白為自己家人的行為給自己帶來的影響萬分懊惱，達西也因此勸賓利先生離開 簡，後來自己也是在理智與情感較量之後萬分矛盾地向伊麗莎白吐露心事。所以說什麼是愛情？那種純粹的感情，愛的不顧一切，單純的潔白如雪的愛情是不是真如鏡中花水中月，是不是只不過是人們心中的美好幻想和追求罷了，而現實生活中人們總是尋找二者之間的最佳平衡點。
伊麗莎白在知道威克姆的真實面目前對其充滿好感，她的姨媽卻說這樣的青年託付終身不會幸福，因為他沒有財產沒有穩定收入，伊麗莎白接受這樣的看法，並且主動克制了自己的感情，呵呵這樣並沒有給伊麗莎白抹黑，只會讓我們看到一個真實理智的伊麗莎白，聰明理智的姑娘。
達西繼承祖業，生活無憂無慮，在上流社會里也是受人尊敬，在那樣的地位，一切的美德都不為過，慷慨大方，助人為善，這些東西無助與對他形象的豐富，對他倒是沒什麼評價。
有一個細節的描述很有意思，伊麗莎白和她的舅媽舅舅Mr./Mrs.Gardiner 到彭伯利－達西的庄園去遊玩時，不小心遇見達西之後，Mr.Gardiner 和達西先生的交流讓伊麗莎白非常滿意，她覺得達西應該知道自己的親戚不都是那種舉止讓人厭煩的人。這樣的心理描述的確很有意思，伊麗莎白已經非常在乎達西的感受了，如果不是的話，她的親戚如何的糟糕又關達西何事？再者，伊麗莎白是不是也有那麼一點的虛榮心呢，這無損她的可愛，反而使她更加可愛！誰不有一點點呢？
在追求愛情的路上，一定要堅定自己的信念，不要因為金錢、名利或其他原因而草草決定，要堅持尋找真愛。如果對方的某些缺點是自己所不能容忍的、而且也是自己所無法改變的話，就應該果斷選擇放棄；當然也應該要珍視彼此，不要由於別人的一些話就改變自己的決定，幸福要自己去經營。
『玖』 95版《傲嬌與偏見》電視劇中達西的扮演者之後又出演了哪部電視劇
《傲嬌與偏見》網路網盤高清資源免費在線觀看
鏈接:
《傲慢與偏見》由Simon Langton執導，科林·費斯、詹妮弗·艾莉主演的愛情故事片。該片改編自英國作家簡·奧斯汀的同名小說，講述了19世紀初期英國的一個普通的中產家庭中五姐妹的愛情與擇偶故事。